Romeo and Juliet hits Bard on the Beach, to September 24
Director Anita Rochon tells the tale of star-crossed lovers from Juliet’s perspective
Ghazal Azarbad and Daniel Fong in Romeo and Juliet.
Bard on the Beach presents Romeo and Juliet at Sen̓ákw/Vanier Park from August 3 to September 24; opening is August 9
ROMEO AND JULIET gets a new take at this year’s Bard on the Beach. Director Anita Rochon (Cymbeline, 2014) tells the story through Juliet’s eyes, beginning the play inside the burial crypt. Juliet awakens beside Romeo, only to realize that her secret plan has gone terribly wrong. As she pieces together incidents that have led up to this tragic moment, audiences see things from her point of view.
“Experiencing this familiar story from Juliet’s perspective puts some things into sharper focus – like her relationship with her family – and asks us to consider what it would be like to be a young woman in this society,” Rochon says in the director’s notes. “We broaden the scope of who-plays-what on stage in the representation of love in many forms: between a parent and their child, between childhood friends, between a mentor and a pupil, between a young woman and her nurse and, of course, between two young people who just met. The original script is still our map, but sometimes we will take a different path to get where the story is going.”
The production features Ghazal Azarbad (Shakespeare in Love, 2019) as Juliet and Daniel Fong as Romeo, with Jennifer Lines as Lady Capulet, Andrew McNee as the Nurse, Ishan Sandhu as Paris, and Anita Wittenberg as Friar Laurence.
The team behind the scenes includes set designer Pam Johnson, costume designer Carmen Alatorre (who re-creates Italian Renaissance styles through silhouettes), composer and musical director Joelysa Pankanea, fight director Jonathan Hawley Purvis, and lighting designer Sophie Tang.
For more information, see bardonthebeach.org.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
