Vancouver Chamber Choir breathes new life into Benjamin Britten’s first masterpiece, December 16 and 17
Wassail features the British composer’s A Boy Was Born, plus other holiday works
The singers of Vancouver Chamber Choir.
Vancouver Chamber Choir presents Wassail on December 16 at 11 am and December 17 at 7:30 pm at Pacific Spirit United Church.
BENJAMIN BRITTEN STARTED composing as a child and was just 19 years old when he wrote A Boy was Born, Opus 3. The British artist’s first masterpiece was his final project at the Royal College of Music.
An ambitious work with variations on a simple theme, it was written in 1932-33 and published in 1934. Britten dedicated it to his father and chose it for his dad’s funeral the following year.
Vancouver Chamber Choir breathes new life into A Boy Was Born at Wassail, its upcoming holiday concert. Under the baton of artistic director Kari Turunen, the ensemble will also perform English carols from the here and now and from days gone by.
For more information, see Vancouver Chamber Choir.
Related Articles
The project’s success should allow the double bassist and composer—who kicks off Music on Main’s 2026–27 season—to turn down more gigs as a hired sideman
The 1980s-themed party includes a free-play arcade, a pop-up tattoo parlour, and live performances by Trauma Novelle, Reveal Yourself, and Devours
Annual Christmas concert features compositions by Shireen Abu-Khader, Srul Irving Glick, Marie-Claire Saindon, and Stephen Smith
Led by director Greg Caisley, concert features 60-voice choir, orchestra, and four outstanding soloists
Season opener, coproduced with Pacific Opera Victoria, features a strong central trio of singers and striking lighting and sets
Vocals, movement, and lighting meet in a bold reimagining of David Lang’s Pulitzer Prize–winning choral composition
Offerings spans queer cinema, live electronic music, and dance throughout this multidisciplinary collaboration between six emerging curators
Award-winning performer, composer, and producer leads a project that blends blues, gospel, hip hop, and griot traditions
The Cree-Dene composer’s new work joins a program aimed at instilling calm, bliss, and joy
