Make time for Making Time if you're intrigued by the meticulous art of horology, at VIFF Centre to July 6
Life stories and lingering shots of a craft that falls somewhere between engineering, art, history—and possibly obsession
Making Time screens at VIFF Centre on June 30 and July 1, 4, and 6
THE NEW DOCUMENTARY Making Time makes poetry out of the slow, exacting process of crafting fine watches out of gears, wheels, and springs so tiny that horologists have to wield tweasers and magnifying glasses.
And, perhaps fittingly, American director Liz Unna’s film takes its time, much like the eclectic assortment of horologists it profiles here. For those willing to leave the rush of life behind and commit to its rhythms, it’s a sometimes astonishing look at a rare art.
The camera lingers on tiny details of a craft that falls somewhere between engineering, art, history—and possibly obsession. But Unna is also deeply interested in the life stories that brought each of these horologists to an eccentric craft—one that requires putting together hundreds of miniscule components over many weeks. One romantic calls horology the “history of humanity”; another recounts trying to find order after a childhood of family chaos.
The highlights of the film, especially for fans of watches and design, are the mavericks who are upending the centuries-old craft, whether it’s with an Upside Down watch that flips numbers upward and downward as the minutes click to a double-barrelled wrist watch that resembles plane engines.
Yes, there are a lot of extended, gauzy shots of glittering piles of teensy-weensy metal pieces and hands carefully tweasing gears into place. But for the curious and unrushed, this is a fascinating 80 minutes where time really does seem to slow down.
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Ranging from 1970s-era experiments in animation to an urgently current documentary, the offerings delve into the meaning of community and the power of place names
Screened outdoors at Cates Deck, outside The Polygon Gallery, Jafar Panahi’s guerrilla-style 2006 comedy captures the mood of World Cup fever
This year’s series features al fresco screenings of top-tier sports films, from Shaolin Soccer to A League of Their Own
Amid small miracles, and also tragedies, Deanna Milligan and Ramsey Fendall conjured analogue, ’90s-era strangeness by adopting the spirit of a community art project
The theatre’s organ was installed in 1927—the same year Alfred Hitchcock released his first thriller, about a Jack the Ripper–esque killer
Retrospective unites the late British filmmaker’s feature-length works, including A Quiet Passion and Distant Voices, Still Lives
Short film poetically remembers a Black woman from an old photograph
With influences including Hideaki Anno and Alfred Hitchcock, debut feature by Surrey-raised director builds uncanny atmosphere as a quiet young woman points her camera into neighbours’ windows
Illustrated Legacies: Graveyard of the Pacific wins Nigel Moore Award; And the Fish Fly Above Our Heads و الأسماك تطير فوق رؤوسنا named best feature
Down-and-out buddies follow the randomness of life in evocatively shot Italian film by Francesco Sossai
At the VIFF Centre, debut feature by fast-rising filmmaker splices past and present in a powerful story that is part time-travel fiction, part nostalgic vision of ’90s Vancouver Island
The poignant film focuses on Vancouver singer-songwriter Cassidy Waring as she delves into an unresolved family tragedy
Without Fear, Early Cranes, and The Touch offer perspectives on preserving cultural identity amid hardship
Local duo’s live score to Carl Theodor Dreyer’s 1928 historical drama employed drones and dissonance to evocative effect
Koos van Nieuwkoop plays the historic Wurlitzer organ live to Alfred Hitchcock's 1927 thriller
Recipients were unveiled during a ceremony at Landmark Cinemas Guildford
Idyllic meditations, sharp investigations, and deeply personal questions arise in our quick takes on Green Valley, The Sandbox, There Are No Words, Numakage Public Pool, and Replica
The musical duo of Simon Dobbs and Jon McGovern found scoring Carl Theodor Dreyer’s 1928 film a more daunting prospect than they anticipated
Documentary by Eileen Francis and Evan Adams looks at the Tla’amin Nation’s efforts to change the contentious name of the city of Powell River
Contemplative new work by acclaimed filmmakers Jessica Johnson and Ryan Ermacora explores imperfect balance between an ancient, shifting ecosystem and a Cortes Island community of oyster farmers
In the National Film Board documentary making its local premiere at the DOXA Documentary Film Festival, Canadian director Kim Nguyen traces the repercussions of an execution photo through the decades
“Egg Yolk Custard Bun”, “Ramen Boys”, “It’s Not You”, and the feature Blood Lines contribute to a diverse and often playful program
A reed cutter tries to solve a murder in Academy Award submission for Best Foreign Language Film; plus documentaries and soccer as fest enters second installment
Director OK Pedersen narrates the cine-concert featuring violinist Eden Glasman and pianist Jakub Tokarczyk
Vancouver filmmaker Tristin Greyeyes takes a personal approach to documentary that explores her grandmother’s role in nêhiyawêwin revitalization
Creepy trip into the West Coast woods has been earning praise for its fresh spin on the horror genre
As part of Capture Photography Festival, Dana Claxton, Althea Thauberger, and Stephen Waddell screen the films that shaped them
Vancouver New Music event brings together artists and activists for a roundtable discussion and performances
Running April 30 to May 10, 25th annual event features a South Korean spotlight, Fire of Love director Sara Dosa’s Iceland-set Time and Water, and world premieres Under the Red Roof, Illustrated Legacies: Graveyard of the Pacific, and more
Among the titles nominated across 14 categories are Bikas Ranjan Mishra’s Bayaan, Josias Tschanz’s The Fire in Our Hearts, and more
