Rather than engaging in overt discussions about a higher entity, two fathers find nuanced hope in heartbreaking situations, in Pacific Theatre production
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Playwright Dave Deveau found inspiration in a real-life male penguin couple for mix of puppetry, drag, and more, care of Carousel Theatre, Zee Zee Theatre, and Vancouver International Children’s Festival
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Jami Reimer’s Soft tongues: a bioacoustic opera takes a sonic and video-enhanced trip to the Brazilian rainforest, while Neworld Theatre’s Earth Case Scenario presents short eco-works
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A copresentation with Boca del Lupo, Tree and Tree: A World in Itself offer immersive experiences for babies and neurodiverse children at Carousel Theatre
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At once heartbreaking and hilarious, production delves into the treatment of folks who have been called “mentally ill”
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New entries to the StopAsianHate.ca website highlight the work of Asian-Canadian performing-arts professionals
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The energetic one-woman musical about trailblazing Mohawk poet Pauline E. Johnson is back
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Diverse performances mark the venue’s 75th anniversary
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Theatre artists Tony Adams and Joylyn Secunda unpack the theme of transformation through self-acceptance in their respective shows
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The veteran Vancouver director-educator’s new play centres on three women who are all over the age of 105
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Tickets are selling fast for Granville Island offerings from May 27 to June 2, including Otosan, Robot Song, The Papa Penguin Play, and more
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Production tells the late-1800s story of trailblazing Mohawk poet-performer Pauline Johnson
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Critically acclaimed play explores young fathers connecting over shared struggles
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Show topics span technology, neurodiversity, loss, and more across 14 mainstage presentations, including Multi – Vs, Silent Howl, and The Ballad of Georges Boivin
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Artistic director and former avid summer camper Jalen Saip tapped into her experiences for a show about the wild world of canoeing, campfires, and crushes
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Nadeem Phillip Umar Khitab plays the lead role of Hamlet, Prince of Denmark, in captivating Shakespeare tale of revenge and existential crisis
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Autobiographical play follows siblings Joey and Michel(le) as they grow up in working-class 1970s Quebec
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Two shows, one for infants ages 0 to 2 and one for neurodiverse children ages 4 and up, will be hosted as part of the Micro Performance Series
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Sharp dialogue as a writer, a fact-checker, and an editor wrestle over writerly embellishments in Kindred Theatre Society production
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Paper planes, food rituals, and more, in Urban Ink and The Cultch production that maps the connections and disconnections over decades
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