DANCE — Articles

Hamlet, Prince of Denmark captures the inner turmoil of a man zeroed in on revenge

In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story

In Fall(se) Circ(us), dancers embrace cycles of frenzied work and relatable exhaustion

At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts

Renowned choreographer Noam Gagnon performs a deeply personal solo live-scored by Stefan Smulovitz, March 11 to 14

The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society

DANCEStir VancouverMarch 6, 2026Partner Content, Kokoro Dance

In Show Gone, Ame Henderson and Matija Ferlin question the nature of endings

The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years

Dance review: At Ballet BC's INFINITY, Jiří Kylián and Crystal Pite take viewers into strange, subconscious limbos

Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity

DANCEJanet SmithFebruary 28, 2026Ballet BC, BALLET BC

Little Room Productions premieres inaugural piece Fall(se) Circ(us), March 21

New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences

Arts Umbrella Dance Company hosts Tempus Fugit: A Midseason Performance, February 26 and 27

Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy

DANCEStir VancouverFebruary 20, 2026Partner Content, Arts Umbrella, ARTS UMBRELLA

At Ballet BC’s INFINITY, Medhi Walerski pays tribute to two works that impacted his career

As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier

DANCEJanet SmithFebruary 18, 2026BALLET BC, Ballet BC, Medhi Walerski

Dance community mourns Peter Bingham, father of contact dance in Vancouver

Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances

DANCEJanet SmithFebruary 17, 2026EDAM, Western Front, contact improvisation, obituary

DanceHouse hosts the B.C. premiere of Ex Machina and Côté Danse's Hamlet, Prince of Denmark, March 18 to 21

With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage

DANCEStir VancouverFebruary 17, 2026Partner Content, DanceHouse, DANCEHOUSE, Bard on the Beach, Ex Machina, Côté Danse

Dance review: Flowing forms and abstract storytelling in Royal Winnipeg Ballet double bill

T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence

DANCEJanet SmithFebruary 10, 2026Royal Winnipeg Ballet

Hoop dance and Métis jigging meet as Beany John and Sophie Dow take the stage at Matriarchs Uprising

The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors

New Works hosts inaugural dance-focused Leadership in Practice Symposium, March 22

One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world

DANCEStir VancouverFebruary 5, 2026Partner Content, New Works

Royal Winnipeg Ballet’s T’əl: The Wild Man of the Woods braids Indigenous storytelling with classical dance

Rising Tla’amin choreographer Cameron sinkʷə Fraser-Monroe draws on a tale he heard growing up for a large-scale work that joins Carmina Burana on a double bill

DANCEJanet SmithFebruary 2, 2026Royal Winnipeg Ballet, Homepage feature, Cameron Fraser-Monroe, Indigenous

Ballet Jörgen gives Shakespeare’s A Midsummer Night’s Dream a ’50s Albertan twist

Fun riffs on the classic include a moose-headed Bottom wearing buffalo plaid and an appearance by a royal couple

DANCEJanet SmithJanuary 30, 2026Ballet Jorgen, Ballet Jörgen, Massey Theatre

Dance review: Coregulation and calm, as Action at a Distance’s WAIL sculpts vocal sound and movement

In this PuSh Fest, Music on Main, and Dance Centre premiere, humming songs, whispered words, and hypnotic movement bring a sense of serenity and connection to a chaotic world

In The Brutal Joy, Justine A. Chambers channels the overwhelming beauty of Black living

With staging that evokes a Chicago jazz bar, the Dance Centre and PuSh Festival co-presentation draws on matrilineal fashion and line dancing

Ballet BC highlights masterful choreographers Crystal Pite and Jiří Kylián with INFINITY, February 26 to 28

Program features Pite’s Frontier, a deep dive into the unknown, and Kylián’s 27’52”, an exploration of theoretical elements

DANCEStir VancouverJanuary 26, 2026Partner Content, Ballet BC, BALLET BC

Dance review: JEZEBEL challenges the stereotype of the booty-poppin’ backup dancer

In a riveting PuSh Festival and New Works copresentation, Belgium’s Cherish Menzo plays with repetition, chopped-and-screwed music, and flashing dental grillz

DANCE, FESTSJanet SmithJanuary 23, 2026New Works, PuSh Festival