The classic production features the Kingdom of the Sweets, the Sugar Plum Fairy, the evil Mouse King, and more
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New choir member Jayson Cervantes has found a home with the renowned ensemble about to mount its seasonal concert
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Rising Victoria-raised star never saw the Tchaikovsky classic until he was 20—and now jetés between seven roles
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Really Happy Someday wins Borsos Award for best Canadian feature film
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Eclectic cabaret of 12 short dance pieces unfolds on an intimate 10-by-12-foot stage that turns minimal space into a magical canvas
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The production proves why pantomime is such a popular artform in the U.K.
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Sugar Sammy, Tim Dillon, and Roy Wood Jr. among names announced for festival running February 13 to 23
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IndigE-girl Comedy focuses on voices that are often marginalized in mainstream comedy
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Alongside new work by Torontonian Linda Catlin Smith, the program included works by American new-music legends John Adams, Steve Reich, and Philip Glass
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The renowned musician performs the classic piece with the Vancouver Symphony Orchestra on December 14 and 15
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The December 13 concert features 13 acts, all of whom were inspired by Hoang’s musicality and personality
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Earlier this year, a successful 40th anniversary fundraiser helped pull the organization out of financial uncertainty
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The annual show is a highlight on the seasonal cultural calendar
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The local artist explores issues of identity, culture, and memory through photography
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Kate Braidwood and Andrew Phoenix’s holiday favourite reinvents the classic Charles Dickens novel as a physical-theatre show
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Energetically shot new film explores profound—and timely—issues around undocumented immigrants and class divisions in America
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Tenor Spencer Britten, alto Nicholas Burns, soprano Caitlin Wood, and bass Jonathon Adams perform with members of the Vancouver Opera Orchestra
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Performing-arts series produced by Theatre Replacement and Company 605 spans a live cake tasting, an ode to an Indigenous matriarch, and beyond
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The concert by Sound of Dragon Society and Crossbridge Strings features the Indonesian rebab, Chinese erhu, Persian kamancheh, and the European violin and upright bass
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Fabienne Colas launched her self-titled foundation to mount Black film festivals all across Canada
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