Wong Kar-Wai releases an extended director's cut of his dazzling The Hand, to January 27
The cheongsams are gorgeous in this story of a tailor and a high-class prostitute
The Cinematheque presents The Hand from December 24 to January 27
BACK IN 2004, Wong Kar-Wai’s short film in Eros, a three-part anthology with other segments by Michelangelo Antonioni and Steven Soderberg, was the dazzling standout.
Now there’s a new director’s cut, restored and extended to an hour long. It’s being released as part of a big retrospective of Wong’s work being presented by The Cinematheque via Janus Films.
The cheongsam has rarely looked so gorgeous and erotically charged as it does in this story of an apprentice tailor (Crouching Tiger, Hidden Dragon’s Chang Chen) who becomes obsessed with a high-class prostitute (radiant Chinese star Gong Li) in 1960s Hong Kong.
When he’s sent to take measurements for her cheongsams, their first meeting sparks a silent yearning—one the master director conveys through the meticulous sewing, creation, and packing of these highly symbolic dresses (crafted to couture perfection by Wong’s longtime collaborator William Chang).
Watch it as a double bill with Wong’s more well-known In the Mood for Love, another dazzling story of longing from a similar era—with equally stunning cheongsams.
Related Articles
Recipients were unveiled during a ceremony at Landmark Cinemas Guildford
Idyllic meditations, sharp investigations, and deeply personal questions arise in our quick takes on Green Valley, The Sandbox, There Are No Words, Numakage Public Pool, and Replica
The musical duo of Simon Dobbs and Jon McGovern found scoring Carl Theodor Dreyer’s 1928 film a more daunting prospect than they anticipated
Documentary by Eileen Francis and Evan Adams looks at the Tla’amin Nation’s efforts to change the contentious name of the city of Powell River
Contemplative new work by acclaimed filmmakers Jessica Johnson and Ryan Ermacora explores imperfect balance between an ancient, shifting ecosystem and a Cortes Island community of oyster farmers
In the National Film Board documentary making its local premiere at the DOXA Documentary Film Festival, Canadian director Kim Nguyen traces the repercussions of an execution photo through the decades
“Egg Yolk Custard Bun”, “Ramen Boys”, “It’s Not You”, and the feature Blood Lines contribute to a diverse and often playful program
A reed cutter tries to solve a murder in Academy Award submission for Best Foreign Language Film; plus documentaries and soccer as fest enters second installment
Director OK Pedersen narrates the cine-concert featuring violinist Eden Glasman and pianist Jakub Tokarczyk
Vancouver filmmaker Tristin Greyeyes takes a personal approach to documentary that explores her grandmother’s role in nêhiyawêwin revitalization
