Bard on the Beach
Photo by Tim Matheson.
Photo by Tim Matheson
Photo by Kevin Clark
Bard on the Beach is Western Canada’s largest not-for-profit, professional Shakespeare Festival. Presented in Vancouver’s Sen̓ákw/Vanier Park against a spectacular backdrop of mountains, sea and sky.
The Festival offers Shakespeare plays, related dramas, and special events in two modern performance tents from June through September, with an average annual attendance of 100,000. Founded by Bard Artistic Director Christopher Gaze in 1990, the Festival is known for its signature blend of high-quality artistic programming and a welcoming experience for local residents and visitors from around the world. Bard Education offers year-round opportunities to play and explore Shakespeare, through programs for youth, emerging artists and our community.
A custom-built Mainstage Theatre tent offers modern, comfortable reserved seating (729-seat capacity) and a state-of-the-art sound system. The Mainstage tent is open-ended so the actors perform against Vancouver’s unique topography – a highlight of the Bard experience. The Festival’s large-scale productions are performed in repertory on the theatre’s BMO Mainstage from early June through late September.
The Douglas Campbell Theatre tent has 260 reserved seats on its Howard Family Stage, named in 2014 in honour of Vancouver philanthropists Darlene and Paul Howard. This intimate performance space hosts a mix of Shakespeare’s lesser-known plays, his classics presented with less traditional staging and contemporary plays with stories and themes that link to the Festival’s mission and mandate and actively explore today’s cultural and social landscape.
Both tents are located adjacent to the Bard Village, a gathering space for patrons to meet and chat with fellow Festival-goers, take in a range of educational events, enjoy concession and bar services and browse the Bard Boutique. Bard also welcomes our community to the Festival site through programs such as our Summer Camps for 6 to 18 year-olds and a paid post-secondary internship called Riotous Youth in addition to year-round classroom, theatre, and virtual experiences for learners of all ages.
The local arts and culture scene has bright gifts in store this season, from music by candlelight to wintry ballets
Casey and Diana, Burning Mom, Behind the Moon, and Yaga shared the spotlight with prizes for Bard on the Beach’s The Dark Lady, Theatre for Young Audience category’s Otosan, Small Budget dominator The Sound Inside, and much more
Goblin:Oedipus and Antigone set to hit the Douglas Campbell Theatre next season
As if haunted by centuries of hits and flops, the three figures in this Bard on the Beach comedy take jabs at the self-consciousness and shaky footing of being an actor
Poetic flourishes and strong characterizations bring compelling charge to imagined story of Shakespeare and the woman who inspired and challenged him
Facilitated conversations with directors take place before matinee showings of four Bard on the Beach productions this season
New production of Jessica B. Hill’s witty play reclaims the lost history of poet Emilia Bassano
In Bard on the Beach’s new production, retro pastels and power suits map surprisingly well onto the chaos of Shakespeare’s sometimes troublesome original
With modernized touches and strong performances, this adaptation renews the wit and scheming of Shakespeare’s classic comedy
The first female published poet in England interacts with Shakespeare in Jessica B. Hill’s witty, complex love story
Designer Carmen Alatorre draws on old photos, film stills, and her own pastel-hued memories for Shakespearean comedy’s retro setting
Here’s a month-by-month roundup of all the stellar offerings in store, from butoh on the beach to jazz concerts in the heart of downtown
Johnna Wright directs the idyllic, Mediterranean-set Shakespeare play that revolves around two vastly different couples
Directed by Mark Chavez, a rotating cast of hilarious theatre artists act out all of the Bard’s comedies, histories, tragedies, and sonnets
On the BMO Mainstage, director Dean Paul Gibson puts an ’80s spin on this resonant tale of young love
All is not as it seems as two of Shakespeare’s most tumultuous couples navigate secret love and mistaken identities
Much Ado About Nothing and The Two Gentlemen of Verona are on the BMO Mainstage at the Shakespeare festival, on from June 10 to September 20
Vancouver International Wine Festival event is also a chance to search out the best vintages in your own back yard
Random scenes and songs that stood out across music, theatre, opera, and dance
The 36th annual program also includes The Complete Works of William Shakespeare (Abridged) [Revised] (Again) and The Dark Lady
The scheduled shift sees Chirag Naik take over for Nadeem Phillip Umar Khitab in the tragedy, and the role of Valentine in the comedy
Rebecca Northan–helmed production successfully gives Shakespeare’s silliest play a straightforward staging
Darker ruminations on sexual coercion take a back seat to a Vienna with flash-mob monks, DJs, and dabbing
Designer Alaia Hamer shares some of the fantastical influences that helped bring a 1600s Shakespeare show into the present
In brisk modern-day production, daring choices include omnipresent paparazzi, dance interludes, and kaleidoscopic lights
A pitch-perfect cast digs into the foolery, original songs, and carnival whimsy of new production in the Vanier Park big top
At Bard on the Beach, the actor makes the most of Stephen Drover’s taut adaptation, after six years of work on the project
In a circus-carnival kingdom, a Vancouver actor known for her comedy chops reinvents one of Shakespeare’s most hilariously humourless characters
Absurdist Shakespeare play adapted and directed by Jivesh Parasram deals with dancing, morality, coercion, and hypocrisy
Two sets of identical twins face hilarious miscommunications in ancient Greece-set play directed by Rebecca Northan
Photo by Tim Matheson

