Much Ado About Nothing and The Two Gentlemen of Verona: Bard on the Beach Shakespeare Festival announces 2025 season
The 36th annual program also includes The Complete Works of William Shakespeare (Abridged) [Revised] (Again) and The Dark Lady
Bard on the Beach.
FRESH OFF THE heels of the 2024 season, the Bard on the Beach Shakespeare Festival has announced its programming for 2025. Next year’s fest at Sen̓áḵw/Vanier Park features Much Ado About Nothing, The Two Gentlemen of Verona, The Complete Works of William Shakespeare (Abridged) [Revised] (Again), and The Dark Lady.
Much Ado About Nothing, which features some of the Bard’s wittiest wordplay, and The Two Gentlemen of Verona will alternate in repertory on the BMO Mainstage next summer. The former centres on two couples, Beatrice and Benedick along with Claudio and Hero, in a story jampacked with secret love, courtship, warfare, and deception. The company is putting an ’80s musical twist on the latter, a tale of friendship and the crazy ways young love makes people behave. The role of Crab in Two Gentlemen of Verona will be played by an actual dog, the only canine role in the Shakespearean canon.
In the Douglas Campbell Theatre, the other two productions will play in repertory. Making its Bard on the Beach debut, The Complete Works of William Shakespeare (Abridged) [Revised] [Again] by Adam Long, Daniel Singer, and Jess Winfield has played to critical acclaim around the globe. Three players present a laugh-out-loud romp through all of Shakespeare’s canonical plays plus the famous sonnets. The Dark Lady, by Canadian playwright and actor Jessica B. Hill, tells the nearly lost story of Emilia Bassano, a multiracial, trilingual woman who was also a talented musician and England’s first female published poet. The question remains: Is Bassano the “Dark Lady” of Shakespeare’s sonnets? The show brings the two poets together in a complicated love story about art, desire, and ambition.
Season packs are now on sale at bardonthebeach.org. ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
At Gateway Theatre, Vancouver actor Synthia Yusuf delves into a Kat Sandler play that takes refreshing risks with the history behind the “Beauty and the Beast” folk tale
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
