Belle Spirale Dance Projects' KIN navigates intergenerational memory at the STAND Festival, November 2
Piece directed by Alexis Fletcher highlights the partnerwork and emotion of Brazilian dancers Juan Duarte and Lazaro Silva
Lazaro Silva. Photo by Michael Slobodian
Blackout Art Society presents a work-in-progress version of Belle Spirale Dance Projects’ KIN on November 2 from 7:30 pm to 8:30 pm at the Scotiabank Dance Centre, as part of the STAND Festival
BRAZILIAN DANCERS Juan Duarte and Lazaro Silva navigate themes of belonging and intergenerational memory in a first look at KIN, Belle Spirale Dance Projects’ newest work in progress directed and envisioned by Alexis Fletcher.
KIN is an emotional reflection fortified by Duarte and Silva’s kinship and partnerwork, incorporating text and layers of collected images in a whirlwind of multimedia exploration. Dramaturgy, rehearsal direction, and sound design for the piece are by Sylvain Senez, who’s co-artistic director of Belle Spirale Dance Projects alongside Fletcher.
Duarte, a graduate of Moscow, Russia’s prestigious Bolshoi Ballet School, has danced with the likes of Lamondance, Arts Umbrella, and Ballet BC since moving to Vancouver in 2015. Lazaro’s career led him to train under Lamondance as well, after studying in Brazil at Ballet Célia Duarte. Both dancers are now training with Belle Spirale Dance Projects throughout the 2023-24 season, in preparation for KIN’s development into a full-length piece.
Belle Spirale Dance Projects creates cross-disciplinary contemporary dance works driven by thoughtful, poetic backing forces. Take 2022’s همه هستی من آیه تاریکیست | All my being is a dark verse, a collaboration with Arash Khakpour, for example—inspired by the powerful work of Persian poet Forugh Farrokhzad, the storyline transcended culture and generations in its premiere at the Chutzpah! Festival.
The performance of KIN, presented by Blackout Art Society at the third annual STAND Festival, is followed by an artist talkback where audiences can learn more about the piece’s development.
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
At Dancing on the Edge, Alexis Fletcher and Sylvain Senez develop a new piece alongside one by Ballet BC’s Sid Chuckas
Inverso Productions event includes performance featuring Claudia Moore, Calder White, Anne Cooper, Savannah Walling, and more at the Roundhouse Community Arts & Recreation Centre
Annual event brings free outdoor dance to the Granville Island Picnic Pavilion and the VPL Central Library’s rooftop
The choreographer and performer’s character-driven Dancing on the Edge piece is informed by his perspective as the child of a deaf parent
Ralph Escamillan’s subversive, playful new work brings the Ball from the runway to the stage
Artist Jasmine Chen relearns Mandarin and discovers lost family history in multidisciplinary, personal show
At The Dance Centre, world premiere by Gabrielle Martin and Jeremiah Hughes moves away from aerial arts and toward conceptual innovation
Principal dancers from the National Ballet of Canada perform a guest duet and artists-in-residence Margaret Grenier and Starr Muranko share a creation after their five-year collaboration with the troupe
Featuring works by Crystal Pite, Marcos Morau, Sharon Eyal, and more, the season finale is a celebration of presence, community, and the beauty of fleeting time
Choreographer Stephanie Thomasen’s piece has no plot and instead invites audience members to imagine their own storylines
Vancouver Playhouse show features works by several world-renowned choreographers, including Crystal Pite, Sharon Eyal, and Medhi Walerski
Set to music by Philip Glass, Bobbi Jene Smith and Or Schraiber’s latest piece focuses on everyday moments and palpable intimacy
Amid the offerings are names like Lukas Malkowski, Belle Spirale Dance Projects, O.Dela Arts and musica intima, and much more
Marking Asian Heritage Month, the show features names like Kasandra La China, Andrea Nann, and Sujit Vaidya
The Dance Centre announces Lola Award and Isadora Award for Vancouver choreographers
Star choreographic duo Bobbi Jene Smith and Or Schraiber return with a full-evening premiere that draws on the emotional layers in Philip Glass’s music—and in the company members themselves
At the Firehall Arts Centre, the Toronto-based choreographer reckons with the forced displacement of Japanese Canadians and the cycles of fear-based thinking that still echo today
Production by Denmark’s Uppercut Dance Theater features breathtaking physicality and inventive humour
On Belle Spirale Dance Projects’ Exhale program, the Vancouver artist creates his first piece since leaving Ballet Edmonton—complete with live vocals and a central metal sculpture
Compelling production features choreography by Gabrielle Martin and Jeremiah Hughes in collaboration with five performers
Showcase features performances by Sujit Vaidya, Toronto’s Dreamwalker Dance/Andrea Nann, and more
In this DanceHouse and Vancouver New Music copresentation, the Australian performers feed off the energy of nine drum kits on a stylized stage
Mayumi Lashbrook’s dance-theatre piece centres the forced removal of Japanese Canadians during the Second World War
With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain
Batsheva Dance Company alumni draw on Gaga movement for the searingly intimate piece with a full-company cast
Celebration of sound and dance sets music from the Golden Age of tango alongside modern gems
Wen Wei Wang’s Last Breath and a new piece by Alexis Fletcher, Sylvain Senez, and Ariana Barr explore the virtuosity of established performers
At DanceHouse, Robert Lepage’s inventive visual touches and Côté Danse’s expressive contemporary choreography offer a surreal, boldly contemporary new take on narrative ballet
Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India
Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance
