Vancouver Short Film Festival unveils lineup for 15th annual edition, June 13 to 15
HATCH, Clementine, One Day This Kid, and Beyond the Salish are among the 47 Canadian shorts screening this year
Clementine.
The Vancouver Short Film Festival presents its 15th edition, featuring 47 bold short films from across Canada, from June 13 to 15. Screenings will occur in person at the SFU Woodward’s Goldcorp Centre for the Arts, with nationwide virtual access available via Eventive.
The lineup comprises six curated programs, including experimental works, personal stories, genre twists, and hilarious comedies. This year will also see the return of After Dark, a late-night selection showcasing curious and beautifully twisted themes.
In keeping with its mission to support and elevate Canadian creators, VSFF has also put together a series of filmmaker-centric events and professional workshops, plus an awards night with over $50,000 in cash and prizes up for grabs.
One Day This Kid.
Among the films to watch out for this year is HATCH, a drama directed by Alireza Kazemipour and Panta Mosleh, about an Afghan refugee boy who hides with his mother inside a moving water tanker trying to cross the border to safety.
There’s also director Alexander Farah’s One Day This Kid, a coming-of-age drama which centres a young Afghan-Canadian boy. One day this kid will feel something stir in his heart, throat, and mouth. One day this kid will reach a point where he senses a division that isn’t mathematical. One day this kid will talk.
The Sorrow.
In directors Richard Chen and William Chong’s documentary Beyond the Salish, two kayakers take a once-in-a-lifetime journey off the Pacific Coast of Vancouver Island, breaching into relentless waves, unpredictable weather, and the uncharted depths of their own fears. And in Beth Evans’s dramedy Clementine, a shocking discovery delivers a life-or-death wake-up call for Clementine, as she finally gains the courage to confront a 20-year battle with bulimia.
Clara Chan’s Have I Swallowed Your Dreams is an animated poetic conversation between an immigrant daughter and her mother about sacrifices and dreams. And Thomas Affolter’s horror film The Sorrow stars a retired army general and his live-in nurse, who discover they are not alone in a house filled with dark secrets.
Don’t miss this celebration of Canadian storytelling. To purchase tickets and browse this year’s film guide, visit VSFF.
Post sponsored by Vancouver Short Film Festival.
Related Articles
This year’s series features al fresco screenings of top-tier sports films, from Shaolin Soccer to A League of Their Own
Amid small miracles, and also tragedies, Deanna Milligan and Ramsey Fendall conjured analogue, ’90s-era strangeness by adopting the spirit of a community art project
The theatre’s organ was installed in 1927—the same year Alfred Hitchcock released his first thriller, about a Jack the Ripper–esque killer
Retrospective unites the late British filmmaker’s feature-length works, including A Quiet Passion and Distant Voices, Still Lives
Short film poetically remembers a Black woman from an old photograph
With influences including Hideaki Anno and Alfred Hitchcock, debut feature by Surrey-raised director builds uncanny atmosphere as a quiet young woman points her camera into neighbours’ windows
Illustrated Legacies: Graveyard of the Pacific wins Nigel Moore Award; And the Fish Fly Above Our Heads و الأسماك تطير فوق رؤوسنا named best feature
Down-and-out buddies follow the randomness of life in evocatively shot Italian film by Francesco Sossai
At the VIFF Centre, debut feature by fast-rising filmmaker splices past and present in a powerful story that is part time-travel fiction, part nostalgic vision of ’90s Vancouver Island
The poignant film focuses on Vancouver singer-songwriter Cassidy Waring as she delves into an unresolved family tragedy
Without Fear, Early Cranes, and The Touch offer perspectives on preserving cultural identity amid hardship
Local duo’s live score to Carl Theodor Dreyer’s 1928 historical drama employed drones and dissonance to evocative effect
Koos van Nieuwkoop plays the historic Wurlitzer organ live to Alfred Hitchcock's 1927 thriller
Recipients were unveiled during a ceremony at Landmark Cinemas Guildford
Idyllic meditations, sharp investigations, and deeply personal questions arise in our quick takes on Green Valley, The Sandbox, There Are No Words, Numakage Public Pool, and Replica
The musical duo of Simon Dobbs and Jon McGovern found scoring Carl Theodor Dreyer’s 1928 film a more daunting prospect than they anticipated
Documentary by Eileen Francis and Evan Adams looks at the Tla’amin Nation’s efforts to change the contentious name of the city of Powell River
Contemplative new work by acclaimed filmmakers Jessica Johnson and Ryan Ermacora explores imperfect balance between an ancient, shifting ecosystem and a Cortes Island community of oyster farmers
In the National Film Board documentary making its local premiere at the DOXA Documentary Film Festival, Canadian director Kim Nguyen traces the repercussions of an execution photo through the decades
“Egg Yolk Custard Bun”, “Ramen Boys”, “It’s Not You”, and the feature Blood Lines contribute to a diverse and often playful program
A reed cutter tries to solve a murder in Academy Award submission for Best Foreign Language Film; plus documentaries and soccer as fest enters second installment
