Boca del Lupo presents Lasa Ng Imperyo at the PuSh Festival, January 30 to February 8
Tagalog play translated, adapted, and performed by Carmela Sison investigates the effects of global imperialism on food preparation
Lasa Ng Imperyo. Photo by Emily Cooper
Vancouver’s Boca del Lupo launches its Micro Performance Series in 2025 with Lasa Ng Imperyo, a play translated, adapted, and performed by Filipina Canadian theatre artist Carmela Sison and presented with the PuSh International Performing Arts Festival. Lasa Ng Imperyo is a Tagalog adaptation of A Taste of Empire by Jovanni Sy, produced by rice & beans theatre. Performances run from January 30 to February 8 at The NEST on Granville Island.
Investigating the effects of global imperialism on how people produce, prepare, and consume food, this performance guides audiences across the layered history of Philippine cultural heritage through a live cooking demonstration in a surprising fusion of theatre and gastronomy.
This new version brings a fresh female perspective to the piece by replacing the original Sous-Chef Jovanni with the witty and intrepid Sous-Chef Mela. Her task is to cook rellenong bangus, or stuffed milkfish, a dish with an intricate preparation process that takes its roots from the country’s culinary traditions and colonial past.
As the dish is brought to life, so too are the stories embedded within its ingredients. Sous-Chef Mela’s insights connect the flavours and techniques to broader themes around globalization, cultural identity, and resource exploitation, inviting viewers to consider how the global food market continues to be shaped by imperialist legacies.
Lasa Ng Imperyo is the first presentation in Boca del Lupo’s 2025 Micro Performance Series, which provides a big impact through small-scale creations and experiences. These productions are created and performed by local, national, and international artists working across disciplines in intimate and small-scale forms.
Micro Performance is a unique creative style, adaptable to many forms, from theatre and dance to new media, live art, and interactive technology. The Micro Performance Series continues in April with Lisa Ravensbergen’s The Seventh Fire, as well as presentations at the Vancouver International Children’s Festival and Indian Summer Festival.
Directed by Marcus Youssef, Lasa Ng Imperyo will be presented fully in Tagalog with English surtitles and video projections designed by Andie Lloyd.
More details about the show and a link to purchase tickets can be found through Boca del Lupo’s website.
Post sponsored by Boca del Lupo.
Related Articles
In this left-field comedy, the obsessive lead character is driven by the same perfectionism that her creator has learned to leave aside in life
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Sharp dialogue and restless energy, prodded on by the little irritations of married life, result in cozy yet unsettling laughs
Ahead of his Anvil Theatre show, the long-time cruise-line performer talks about dispelling childhood fears with lovable characters
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
Sanaz Toossi’s play won the Pulitzer Prize for Drama in 2023 for its look at four students preparing for the TOEFL
Latinx theatre artist’s debut script unfolds across three worlds: Toronto, Antigua Guatemala, and a realm in which the immigration system functions like a game show
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Offerings range from storytelling event The Family Flame to dance parties, documentary screenings, drag performances, and more
The starkly moving show by the Czech Republic’s Archa Centre of Documentary Theatre recounts true stories of lives upended by the conflict
Production by Tracey Power transports audiences back to the time of coffeehouse open mics that nurtured musicians like Joni Mitchell and Leonard Cohen
Théâtre Gauche production probes into linguistic insecurities and the stigma of being a “bad francophone”
Romantic comedy set in 1960s New York City follows newlyweds navigating marriage, compromise, and the beautiful mess of learning how to live
Presented with the Shadbolt Centre for the Arts and Presentation House Theatre, Faly Mevamanana’s play centres on a cultural obsession with competition
Skilled Canadian ventriloquist has competed on America’s Got Talent and headlined with Disney Cruise Line for more than two decades
Ruby Slippers Theatre presentation features new works by Irene (Fan) Yi, Abi Padilla, Marcia Johnson, Alexandra Lainfiesta, and Sewit Eden Haile
Amir Hosseini directs the Blackout Art Society production about four Iranian adults preparing for an English proficiency exam
Playwright Mieko Ouchi’s story of one woman’s self-discovery in the Nevada Desert is rooted in her mother’s true story
Provocatively reimagined endings to opera and Shakespeare were among the random scenes that stuck with us from the year onstage
Whether you’re into show tunes or funk, improv comedy or acrobatics, you’re sure to find your own way of welcoming 2026 with the help of Vancouver’s arts companies and venues
James & Jamesy’s family-friendly show sails through a series of slapstick and sometimes surreal journeys
