Boca del Lupo presents Lasa Ng Imperyo at the PuSh Festival, January 30 to February 8
Tagalog play translated, adapted, and performed by Carmela Sison investigates the effects of global imperialism on food preparation
Lasa Ng Imperyo. Photo by Emily Cooper
Vancouver’s Boca del Lupo launches its Micro Performance Series in 2025 with Lasa Ng Imperyo, a play translated, adapted, and performed by Filipina Canadian theatre artist Carmela Sison and presented with the PuSh International Performing Arts Festival. Lasa Ng Imperyo is a Tagalog adaptation of A Taste of Empire by Jovanni Sy, produced by rice & beans theatre. Performances run from January 30 to February 8 at The NEST on Granville Island.
Investigating the effects of global imperialism on how people produce, prepare, and consume food, this performance guides audiences across the layered history of Philippine cultural heritage through a live cooking demonstration in a surprising fusion of theatre and gastronomy.
This new version brings a fresh female perspective to the piece by replacing the original Sous-Chef Jovanni with the witty and intrepid Sous-Chef Mela. Her task is to cook rellenong bangus, or stuffed milkfish, a dish with an intricate preparation process that takes its roots from the country’s culinary traditions and colonial past.
As the dish is brought to life, so too are the stories embedded within its ingredients. Sous-Chef Mela’s insights connect the flavours and techniques to broader themes around globalization, cultural identity, and resource exploitation, inviting viewers to consider how the global food market continues to be shaped by imperialist legacies.
Lasa Ng Imperyo is the first presentation in Boca del Lupo’s 2025 Micro Performance Series, which provides a big impact through small-scale creations and experiences. These productions are created and performed by local, national, and international artists working across disciplines in intimate and small-scale forms.
Micro Performance is a unique creative style, adaptable to many forms, from theatre and dance to new media, live art, and interactive technology. The Micro Performance Series continues in April with Lisa Ravensbergen’s The Seventh Fire, as well as presentations at the Vancouver International Children’s Festival and Indian Summer Festival.
Directed by Marcus Youssef, Lasa Ng Imperyo will be presented fully in Tagalog with English surtitles and video projections designed by Andie Lloyd.
More details about the show and a link to purchase tickets can be found through Boca del Lupo’s website.
Post sponsored by Boca del Lupo.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
