Gateway Theatre presents Little Onion Puppet Company's Otosan, February 17 to 22
Heartwarming family adventure is told through puppetry, real wildlife projections, and an original score
Otosan. Photo by Chelsey Stuyt
Following the overwhelming response to last year’s Vancouver International Children’s Festival show, Gateway Theatre presents Otosan, a beautiful tale of family connection and adventure, from February 17 to February 22.
Created by Little Onion Puppet Company, this extraordinary performance features stunning puppetry, real wildlife projections, and an original score that captivates audiences of all ages, from parents to young kids. This event is suitable for viewers ages four and up.
Otosan follows Shizu, a curious young girl who hides in her father’s suitcase and unexpectedly joins him on a journey to the remote North. Her father, a gruff wildlife videographer, is forced to confront the challenges of both his work and his relationship with his daughter as they encounter snowy owls, white wolves, and grizzly bears. The story unfolds as a heartwarming exploration of love, communication, and the bonds that tie families together.
Shizuka Kai, Randi Edmundson, and Jess Amy Shead are the minds behind Otosan; Kai and Edmundson are performing the show at Gateway Theatre alongside June Fukumura and Lisa Goebel. Inspired by the real-life experiences of co-creator Kai and her wildlife-videographer father, Otosan blends personal storytelling with breathtaking visuals and an immersive musical score.
Otosan. Photo by Chelsey Stuyt
Otosan was created with the support of Deaf consultants Caroline Hébert and Ladan Sahraei to ensure inclusion of people who are Deaf or hard of hearing. To further enhance accessibility, ASL interpretation of the pre-show speech will be available at all performances. There will also be ASL interpretation provided at the talkback on February 22 at 10 am.
A relaxed performance will be held on February 22 at 1 pm. Relaxed performances are for audience members who would benefit from a less-restrictive viewing environment. The show will be adjusted to reduce sensory intensity, and viewers are welcome to make noise, use their phones, and move around as needed.
Public performances are taking place on Family Day (February 17) as well as from February 19 to 22. School bookings are also available from February 19 to 21 at 10 am and 1 pm.
For more information and tickets to see the show, visit Gateway Theatre.
Post sponsored by Gateway Theatre.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
