Playwrights Theatre Centre announces new shared leadership
Davey Samuel Calderon, Joanna Garfinkel, and Melanie Yeats to take over from Heidi Taylor
(Left to right) Melanie Yeats, Joanna Garfinkel, and Davey Samuel Calderon. Photo by Nathalie De Los Santos
FOUNDED IN 1970 as the New Play Centre and with a focus on dramaturgical practice, Playwrights Theatre Centre has just announced a new shared leadership model.
PTC will see Davey Samuel Calderon, Joanna Garfinkel, and Melanie Yeats together take over from outgoing artistic and executive director Heidi Taylor for collectively held decision-making, “deeper artistic development with company collaborators, and more meaningful connections to diverse communities”, according to a release.
Contributing to the design of the new leadership model were consultant Jeanne LeSage and Greater Vancouver Professional Theatre Alliance executive director Kenji Maeda.
Calderon first joined PTC as a volunteer and became an intern in 2016. He continued on to be a frequent collaborator with the organization in various capacities and in 2020 took on the role of dramaturg, public engagement. Calderon has worked with Neworld Theatre, Vancouver Asian Canadian Theatre, Alley Theatre, and Paul Wong Projects, among other organizations.
Beginning in 2010, Garfinkel served as a frequent dramaturgical contractor for PTC, shepherding the Fringe New Play Prize from 2017 to 2020. Joining the PTC staff as dramaturg, creative engagement in 2021, Garfinkel reinvigorated the curriculum for PTC’s dramaturgy training initiative, Block D, which is welcoming its second cohort this year. Specializing in new play development as well as site-responsive and multidisciplinary work, Garfinkel cofounded Universal Limited with Yoshie Bancroft, and their collectively created work has been seen across Canada. Other recent accomplishments include leading the dramaturgy of the National Queer and Trans Playwriting Unit.
Yeats started out at PTC as operations manager in 2016, becoming creative managing director in 2020. She has since worked to refine how the organization approaches governance, human resources, and strategic planning.
Taylor has initiated a fundraising campaign to support the incoming cohort of associates: Undaunted Creation. ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
