Studio 58 brings new queer play Linck & Mülhahn to the stage, November 21 to December 1
Production by U.K.-based playwright Ruby Thomas explores gender and sexual identities in rigid 18th-century society
Lucy Jeffery (left) as Anastasius Linck and Yorlene Bernido as Catharina Mülhahn in Linck & Mülhahn. Photo by Emily Cooper
Studio 58, the professional theatre training program at snəw̓eyəɬ leləm̓ Langara College, presents the new queer play Linck & Mülhahn from November 21 to December 1 with showtimes at 2 pm and 7:30 pm.
When charismatic Anastasius Linck meets Catharina Mülhahn, it’s love—and lust—at first sight. As Catharina fights against her mother’s desire for a traditional marriage in favour of her independence, Anastasius works to conceal his identity to stay alive. Throughout the pair’s passionate exploration of gender and sexual identities, rigid 18th-century society aims to tear them apart.
Written by U.K.-based theatre artist Ruby Thomas and first performed at the Hampstead Theatre in London, Linck & Mülhahn is a historical, romantic, and subversive story that is sure to enamour audiences. The production is directed by Angelica Schwartz, who is originally from Treaty One Territory in Manitoba.
For tickets to Linck & Mülhahn and more information, head to Studio 58.
Post sponsored by Studio 58.
Related Articles
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
Veteran actors Craig March and Dolores Drake play the young lovers in David French’s play, set in a Newfoundland outport 100 years ago
Arnaud Hoedt and Jérôme Piron look at linguistic absurdity and educational inequity in their hit shows La Convivialité and Kevin
