Little Red Warrior & His Lawyer makes Vancouver comeback, March 6 to 16
The production written and directed by Nlaka’pamux playwright Kevin Loring is a land-claims farce
Gordon Patrick White, Little Red Warrior & His Lawyer. Photo by Trudie Lee
The Cultch presents Little Red Warrior & His Lawyer from March 6 to 16 at the York Theatre
NLAKA’PAMUX PLAYWRIGHT KEVIN Loring’s Little Red Warrior & His Lawyer is back on The Cultch stage after a highly successful Vancouver debut in 2022. A hilarious and bold take on land claims, the 2025 iteration features Gordon Patrick White in the lead role.
The play, which Loring also directs, tells the story of Little Red, the last remaining member of his First Nation. After discovering that a land-development company has sent construction crews to his traditional and ancestral territory, he is arrested for attacking one of their engineers and gets assigned a court-appointed lawyer. Things get even more comical when Little Red is forced to move in with the lawyer and his wife—who finds herself strangely attracted to him.
In a 2022 interview with Stir, Loring explained that in writing the work, he drew cues from snk̓ y̓ép, or Coyote, the Trickster in the Nlaka’pamux stories he grew up with. Instead of a single character, however, he described the whole outrageous universe of the play as the Trickster.
“It was the intention of wanting everything to be tricky,” Loring explained. “There’s a lot of storytelling in it, and the narrator, Floyd, is himself a Trickster or a transformer. The other element is all the characters transform throughout the show.
“So aspects of duality are present throughout—one thing can be two things. I’m just having fun with that,” added Loring. “And I’m really playing on those stereotypes—the lawyer, the ‘Karen’, an Indigenous man, a homeless man—and twisting them upside down. Nobody gets away with anything.”
The play is a Savage Society and Belfry Theatre co-production in association with NAC Indigenous Theatre and Theatre Calgary. ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
