The Frontliners looks at the challenges of helping refugees amid Vancouver's housing crisis, November 10 to 13
Zahida Rahemtulla’s play was winner of 2022’s Vancouver Fringe Festival’s New Play in Development Prize
Vancouver Fringe Festival and Playwrights Theatre Centre present a workshop production of The Frontliners at the Waterfront Theatre from November 10 to 13
VANCOUVERITES GET THEIR first look at the winner of the Vancouver Fringe Festival’s New Play in Development Prize for 2022, when The Frontliners gets a workshop presentation this week.
Set in January 2016, Zahida Rahemtulla’s play is a timely look at the Syrian refugee crisis in Canada—and the special challenges of working in a refugee placement agency during Vancouver’s housing crisis.
The titular three workers are in the throes of resettling the first wave of 25,000 Syrian refugees, battling Vancouver’s housing crunch to move families out of an East Van hotel. The frontline workers put in long overtime hours, navigating a frenzy of journalists, overly-keen do-gooder groups, bureaucracy, an impossible amount of donations, angry landlords, internet trolls, and the hopes and wishes of families themselves.
The upcoming workshop production includes an original score composed and created by Syrian-Iraqi musician and oud player Farouk Al-Sajee with Ruby Singh. Set design is by Megan Lane, and lighting design and technical direction by Jamie Sweeney. Tanya Mathivanan (of Aenigma Theatre) directs.
The New Play in Development prize prepares playwright and play for a premiere with the Vancouver Fringe Festival over an 18-month partnership. At this November workshop production, its creators try out the design and script for the first time, and after this, all en route to a premiere with a company in the future. The first draft of The Frontliners was written at the inaugural Arts Club Emerging Playwrights’ Unit in 2019.
You can find tickets here.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
