The Frontliners looks at the challenges of helping refugees amid Vancouver's housing crisis, November 10 to 13
Zahida Rahemtulla’s play was winner of 2022’s Vancouver Fringe Festival’s New Play in Development Prize
Vancouver Fringe Festival and Playwrights Theatre Centre present a workshop production of The Frontliners at the Waterfront Theatre from November 10 to 13
VANCOUVERITES GET THEIR first look at the winner of the Vancouver Fringe Festival’s New Play in Development Prize for 2022, when The Frontliners gets a workshop presentation this week.
Set in January 2016, Zahida Rahemtulla’s play is a timely look at the Syrian refugee crisis in Canada—and the special challenges of working in a refugee placement agency during Vancouver’s housing crisis.
The titular three workers are in the throes of resettling the first wave of 25,000 Syrian refugees, battling Vancouver’s housing crunch to move families out of an East Van hotel. The frontline workers put in long overtime hours, navigating a frenzy of journalists, overly-keen do-gooder groups, bureaucracy, an impossible amount of donations, angry landlords, internet trolls, and the hopes and wishes of families themselves.
The upcoming workshop production includes an original score composed and created by Syrian-Iraqi musician and oud player Farouk Al-Sajee with Ruby Singh. Set design is by Megan Lane, and lighting design and technical direction by Jamie Sweeney. Tanya Mathivanan (of Aenigma Theatre) directs.
The New Play in Development prize prepares playwright and play for a premiere with the Vancouver Fringe Festival over an 18-month partnership. At this November workshop production, its creators try out the design and script for the first time, and after this, all en route to a premiere with a company in the future. The first draft of The Frontliners was written at the inaugural Arts Club Emerging Playwrights’ Unit in 2019.
You can find tickets here.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
