Théâtre la Seizième presents a staged reading of À toi, pour toujours, ta Marie-Lou, February 21 and 22
Sébastien David directs Michel Tremblay’s tragic play as part of the ÉCHO(S) series
Michel Tremblay. Photo by Lëa-Kim Châteauneuf
Théâtre la Seizième presents À toi, pour toujours, ta Marie-Lou at Studio 16 on February 21 and 22 at 7:30 pm, as part of the ÉCHO(S) staged reading series
RENOWNED QUÉBÉCOIS PLAYWRIGHT and novelist Michel Tremblay has been publishing works to critical acclaim since the 1960s.
Among his more prominent œuvres is 1971’s À toi, pour toujours, ta Marie-Lou, which tells the grim story of one family’s history from four different perspectives. Léopold and Marie-Lou were in a tumultuous marriage that ended in their tragic deaths following a verbal dispute. Ten years later, their daughter Carmen has moved on, while their other daughter Manon still lives under their roof, consumed by what happened. Unspoken truths and the burden of religion come into play when Carmen returns home and the sisters must confront their difficult past.
In honour of Théâtre la Seizième’s 50th anniversary, the company is presenting a staged reading of À toi, pour toujours, ta Marie-Lou at Studio 16 on February 21 and 22. It is the third installment of this season’s ÉCHO(S) series, which highlights five key works that Théâtre la Seizième has produced since it was founded in 1974.
Another Québécois playwright, Sébastien David, is directing this reading, which features a cast of four actors: Jessica Heafey, Steve Jodoin, Samantha Levy, and Gabrielle Morin. David’s Dimanche napalm won a Governor General’s Award in 2017, and his latest play Une fin premiered this month at Centre du Théâtre d’Aujourd’hui in Montreal.
The reading of À toi, pour toujours, ta Marie-Lou will be in French with English surtitles. It will feature live music by Steven Charles and technical direction and lighting by Chengyan Boon. ![]()
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
