Arts Club Theatre Company resets Agatha Christie classic The Mousetrap, June 26 to August 10
With audiences sworn to secrecy over a decades-long run, the mystery at the heart of author’s most famous whodunit endures
Agatha Christie, actor Ming Hudson, and director Stephen Drover (photo by Emily Cooper)
The Arts Club Theatre Company presents The Mousetrap at the Granville Island Stage from June 26 to August 10
ONE OF THE GREAT whodunit stories is heading for the Vancouver stage this summer.
Now in the 73rd year of its run in London’s West End, Agatha Christie’s genre-defining murder mystery The Mousetrap will be presented by the Arts Club Theatre Company at the Granville Island Stage from June 26 to August 10.
On a dark night, seven strangers find themselves snowed in at Monkswell Manor, a Victorian-era estate, where news spreads of a murder in London. With the arrival of a police sergeant, it becomes clear that the killer is among them and everyone is a suspect. As tensions and fears escalate, the characters—and audience—grapple to solve the murder before another takes place. This record-breaking mystery ends with a surprise, and audiences are sworn to secrecy on leaving the theatre.
This production features stars includiong Ming Hudson as Mollie Ralston, the proprietor of Monkswell Manor, and Jay Clift as Giles, Mollie’s husband of one year. There’s also Zander Eke as Christopher Wren, a neurotic young guest; Charlie Gallant as Detective Sergeant Trotter; Beatrice Zeilinger as the matronly Mrs. Boyle; Andrew McNee as the mysterious gentleman Mr. Paravicini; and many more. Director Stephen Drover is at the helm. Costume design is by Nancy Bryant and set design by Patrick Rizzotti, with lighting by Itai Erdal and sound by MJ Coomber.
With over thirty thousand performances so far, The Mousetrap is by far the longest-running play in the world. The show began as a 20-minute radio play titled Three Blind Mice, before being adapted into a full-length stage play and premiering in London in 1952.
Christie did not expect the play to run for long and stipulated that no film adaptation of The Mousetrap be made until at least six months after the production closed. More than 70 years on, the show continues its historic run, with no sign of a movie adaptation anytime soon. ![]()
Olivia Hart is an Australian journalist and editor living in Vancouver with six years of experience working in digital media. She has written across culture, fashion, food and lifestyle for publications including Time Out, Vogue Australia, and Better Homes and Gardens.
Related Articles
In this left-field comedy, the obsessive lead character is driven by the same perfectionism that her creator has learned to leave aside in life
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Sharp dialogue and restless energy, prodded on by the little irritations of married life, result in cozy yet unsettling laughs
Ahead of his Anvil Theatre show, the long-time cruise-line performer talks about dispelling childhood fears with lovable characters
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
Sanaz Toossi’s play won the Pulitzer Prize for Drama in 2023 for its look at four students preparing for the TOEFL
Latinx theatre artist’s debut script unfolds across three worlds: Toronto, Antigua Guatemala, and a realm in which the immigration system functions like a game show
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Offerings range from storytelling event The Family Flame to dance parties, documentary screenings, drag performances, and more
The starkly moving show by the Czech Republic’s Archa Centre of Documentary Theatre recounts true stories of lives upended by the conflict
Production by Tracey Power transports audiences back to the time of coffeehouse open mics that nurtured musicians like Joni Mitchell and Leonard Cohen
Théâtre Gauche production probes into linguistic insecurities and the stigma of being a “bad francophone”
Romantic comedy set in 1960s New York City follows newlyweds navigating marriage, compromise, and the beautiful mess of learning how to live
Presented with the Shadbolt Centre for the Arts and Presentation House Theatre, Faly Mevamanana’s play centres on a cultural obsession with competition
Skilled Canadian ventriloquist has competed on America’s Got Talent and headlined with Disney Cruise Line for more than two decades
Ruby Slippers Theatre presentation features new works by Irene (Fan) Yi, Abi Padilla, Marcia Johnson, Alexandra Lainfiesta, and Sewit Eden Haile
Amir Hosseini directs the Blackout Art Society production about four Iranian adults preparing for an English proficiency exam
Playwright Mieko Ouchi’s story of one woman’s self-discovery in the Nevada Desert is rooted in her mother’s true story
Provocatively reimagined endings to opera and Shakespeare were among the random scenes that stuck with us from the year onstage
Whether you’re into show tunes or funk, improv comedy or acrobatics, you’re sure to find your own way of welcoming 2026 with the help of Vancouver’s arts companies and venues
James & Jamesy’s family-friendly show sails through a series of slapstick and sometimes surreal journeys
