Hip-hop-driven Can I Live? looks at how people of colour have been excluded from climate activism, online to May 15
Artist Fehinti Balogun on hand for watch party at The York Theatre, May 14
The Cultch presents Can I Live? digitally until May 15, with a live watch party at the York Theatre on May 14 at 8 pm
STREAMING THIS WEEK via The Cultch, Complicité's Can I Live? trails a heap of positive reviews.
In a show driven by hip-hop, spoken-word, animation, and science, artist Fehinti Balogun explores the connection between the environmental crisis and the global struggle for social justice. In other words, Balogun doesn’t just look at climate activism, but how people of colour have been excluded from it.
As The Guardian put it in a review last year, “This powerful cri de coeur grapples with the question of inclusivity in environmental activism not only by connecting it to class and race but to geopolitics, imperial history, and his own journey into activism in the context of his British Nigerian family’s cultural attitudes.”
Those messages resound loud and clear here, where Vancouver has struggled recently with heat domes and atmospheric rivers—as well as racial reckoning.
You can tune in on your home screen, but we recommend you head to the Watch Party at the York Theatre on May 14. That’s because it’s followed by a talkback with the artist who created it.
The show marks the final event of The Cultch’s busy 2021-22 season. You can find more info here.
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Colleen Wheeler and Moya O’Connell have gathered a crack team of actors for micro-sized Shakespearean shows at the City Centre Artist Lodge—and this is only the beginning
With audiences supplying the laugh track, the days of “Must-See TV” return in a different form every night, with heartfelt moments arising among hilarious period-correct details
Theatre Replacement’s nearly sold-out holiday tradition continues at The Cultch’s York Theatre to January 11
Director Barbara Tomasic talks about the Arts Club Theatre Company’s new production of the Louisa May Alcott classic, which still inspires heartfelt reflection on sibling bonds and the challenges of finding a place in the world
Dawn Petten’s megadeveloper slays in a show with pumped-up song-and-dance numbers, subversive satire, and standout performances
Amid the laughter and DIY signs, Pony Cam show at The Cultch captures a world where we can’t step off the ever-racing treadmill
The local arts and culture scene has bright gifts in store this season, from music by candlelight to wintry ballets
At Studio 16, artist weaves mime and clown components in vignettes that explore a person’s search for the meaning of life
Artistic Fraud production portrays the joys and griefs of Jon Lien, a pioneering Newfoundland conservationist whose challenges included a late-life struggle with dementia
Shel Piercy directs the delightfully silly show full of colourful sets and sparkling costumes
