Touchstone Theatre presents Behind the Moon, March 27 to April 6
Work by acclaimed playwright and novelist Anosh Irani focuses on three South Asian men navigating their migration journeys in Canada
(From left) Zahf Paroo, Praneet Akilla, and Dhirendra, Behind the Moon. Photo by Chelsey Stuyt
Touchstone Theatre has just announced that its upcoming production of Behind the Moon by award-winning playwright and novelist Anosh Irani will run at The Cultch’s Vancity Culture Lab from March 27 to April 6.
Recently named the 2023 recipient of the Writers’ Trust Engel Findley Award for his exceptional contributions to Canadian literature, Irani captivates audiences with this powerfully moving exploration of human connection, belonging, and the immigrant experience. Directed by Touchstone Theatre’s artistic director Lois Anderson, Behind the Moon delves into the intertwined lives of three South Asian men navigating their migration journeys in Canada.
Set in the Toronto eatery Mughlai Moon, the play centres on its hardworking, lone employee Ayub (Praneet Akilla). Under the watchful eye of the restaurant’s owner, Qadir Bhai (Dhirendra), Ayub devotes himself to cooking and cleaning while holding onto the hope of reuniting with his family still living in Mumbai. One fateful night, cab driver Jalal (Zahf Paroo) walks into the restaurant, sparking a complicated friendship that disrupts Ayub’s delicate world and the buried truths at its core.
What unfolds is a profound journey through faith, loss, brotherhood, and the struggles of building a new life in Canada. Celebrated for its humour, humanity, and emotional depth, the production has earned critical acclaim for vividly portraying the emotional and social complexities of migration.
Behind the Moon’s world premiere took place at Toronto’s Tarragon Theatre in February 2023, directed by Richard Rose. The play expands on a character that first appeared in Irani’s earlier works. It is also the latest collaboration between Irani and director Anderson, whose past projects together include My Granny the Goldfish, Buffoon, and Transcendence.
A free public event in association with this production, Behind the Moon: An Evening with Playwright and Novelist Anosh Irani, will take place at the Vancouver Public Library’s Central Library branch on March 18. Irani and Anderson will discuss Behind the Moon, the art of playwriting, and the Canadian theatre scene.
Tickets to see Behind the Moon are now on sale through The Cultch. Subscription passes that include this production are also available for purchase online through Touchstone Theatre.
Post sponsored by Touchstone Theatre.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
