Vancouver Recital Society’s Brahms Fest offers double serving of rich music on November 3
Castalian String Quartet, violist Timothy Ridout, cellist Zlatomir Fung, and pianists Angela Cheng and Benjamin Hochman will perform two concerts in one day at the Vancouver Playhouse
The Castalian Quartet. Photo by Paul Marc Mitchell
The Vancouver Recital Society presents Brahms Fest in two concerts at the Vancouver Playhouse, on November 3 at 2:30 pm and 7:30 pm.
IF YOU LIKE your music served up like a German torte—rich, chocolatey, and layered with sweetness—the Vancouver Recital Society is ready to satisfy your cravings with their (mini) Brahms Fest, taking place this Sunday at the Vancouver Playhouse.
Featuring two concerts on the same day, the fest brings together the London, England-based Castalian String Quartet with British violist Timothy Ridout, Bulgarian-Chinese cellist Zlatomir Fung, Canadian pianist Angela Cheng, and Israeli pianist Benjamin Hochman.
Concert 1, at 2:30 pm, will unite Ridout and Hochman for the composer’s Viola and Piano in E-flat major, Op. 120; Fung and Chen in Sonata in G major, Op. 78 arr. for Cello and Piano; and the Castalian String Quartet with Ridout and Fung for String Sextet No. 2 in G major, Op. 36. A few hours later, Concert 2, at 7:30 pm, will feature Cheng and Hochman sharing the keyboard in 16 Waltzes, Op. 39 for Piano 4-Hands; the Castalian String Quartet with Ridout and Fung in String Sextet No. 1 in B-flat major, Op. 36; and the quartet joined by Hochman for Piano Quintet in F minor, Op. 34.
For Brahms lovers, the big dilemma will be choosing which performance to attend. Our suggestion? Go ahead, indulge in both. ![]()
Jessica Werb is an award-winning writer, copy editor, and communications consultant based in Vancouver. When she’s not covering the arts or debating the Oxford comma, you can often find her playing the cello.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
