A History of Motown brings the party back to the Firehall Arts Centre, August 6 to 17
Krystle Dos Santos and crew revive hits by Aretha Franklin, the Supremes, and more, while interweaving the stories behind the music
(From left) A History of Motown’s Cole Tinney, Krystle Dos Santos, Jon Holisko, and Gavin Youngash. Photo by Ben Parker
The Firehall Arts Centre presents A History of Motown from August 6 to 17
MOST THEATRE EXPERIENCES keep you planted comfortably in your seat. But A History of Motown is not that kind of show: when it makes a summertime return to the Firehall Arts Centre, expect people to be standing, singing, and shakin’ it for all they’ve got.
At least, that was the reaction when powerhouse Vancouver singer Krystle Dos Santos and her band staged the sold-out ode to Motown earlier this year, putting their own spin on classics like “Signed, Sealed, Delivered (I’m Yours)”, performing emotional ballads like “Let’s Stay Together”, and creating rousing sing-along moments like “Ain’t No Mountain High Enough”. Everyone from Stevie Wonder to Aretha Franklin to the Supremes gets a nod, and stories are interwoven throughout. Speaking directly to the audience, Dos Santos provides a wealth of interesting context about the music.
With vocalists Sabrielle McCurdy-Foreman and Tiffany Rivera providing backup, Dos Santos gets to express her lifelong love of soul—and illuminate its socio-political power as well: Berry Gordy, founder of the Motown record label, strove to elevate the artists on his all-Black label onto pop-radio airplay, a space which at that point had been reserved for white artists.
The bonus is that this little trip back through time happens in such an intimate atmosphere, the stage a bit like a living room with lamps and side tables. In other words, the show has Motown glam energy, and plenty of warm party atmosphere too. ![]()
(From left) Tiffany Rivera, Krystle Dos Santos, and Sabrielle McCurdy-Foreman. Photo by Ben Parker
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
Veteran actors Craig March and Dolores Drake play the young lovers in David French’s play, set in a Newfoundland outport 100 years ago
Arnaud Hoedt and Jérôme Piron look at linguistic absurdity and educational inequity in their hit shows La Convivialité and Kevin
Musical numbers consistently land with energy and flair in a production that boasts strong performances and choreography
Vancouver newcomer Celeste Nicholson heads a strong cast with enough verve to delight even those who are very familiar with the show.
