Maryna Krut shares Ukrainian culture through the bandura
The artist has performed for soldiers on the war’s frontlines
Maryna Krut.
BlueShore at CapU presents Maryna Krut on January 23
AS ONE OF the world’s leading players of bandura, a traditional Ukrainian plucked instrument, Maryna Krut has appeared on stages around the globe. Based in the city of Lviv, she has also performed in the least likely of places: on the war’s very frontlines.
“I go and play for the soldiers,” Krut says in a phone interview with Stir from New York, where she’s on tour. “A lot of them are my friends. Ukrainian artists have a lot of responsibility right now. We need to understand what’s going on so that we can talk to people in the world about what’s going on.
“One month ago I played in the city of Pokrovsk, which has been completely destroyed,” she adds. “Russian troops have started to occupy this city. But I feel safe because I know we have the best men and the best women protecting us. Ukraine is my home.”
Krut will bring her contemporary take on the 64-stringed bandura to Canada’s West Coast when she appears in concert at BlueShore at CapU on January 23. She started playing the instrument, which has a sound similar to a harpsichord and which resembles a cross between a lute and a zither, when she was eight years old, going on to study it for four years in music college. Twenty years later, she is still discovering new things about it.
“Sometimes I think that I know everything about this instrument, and after that it’s a crisis in my relationship with the instrument and I realize I know nothing about this instrument,” Krut says. “I try to find something new every time: new techniques, new songs. I try to improvise. If you were to come to two of my concerts you would hear one song in two different versions. I love the instrument still.”
One of the songs she’ll be performing in Vancouver is “Carol of the Bells”, which she says most people don’t realize originated in the Ukraine. While she draws on traditional repertoire, she also incorporates jazz, soul, and pop into her music, adding in ethereal vocals. She was a finalist in the Eurovision Song Contest. Her music is one way of sharing her country’s heritage.
“Right now, and especially over the last three years, it’s so important to show all the world Ukrainian culture,” Krut says. “Before, for a lot of years, the world didn’t know about our culture, our instruments and songs, and for me right now it’s so important to witness this. It’s so important to bring our songs from point zero to Vancouver, 10,000 kilometres away from my home.
“It’s complicated to talk about it,” she adds. “I would ask people who read this interview to come to my performance because if you hear music, you don’t need any words. I’m shy in talking about myself, but I’m not shy on-stage. Music is a universal language where people can understand the experience in my heart.” ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
The project’s success should allow the double bassist and composer—who kicks off Music on Main’s 2026–27 season—to turn down more gigs as a hired sideman
The 1980s-themed party includes a free-play arcade, a pop-up tattoo parlour, and live performances by Trauma Novelle, Reveal Yourself, and Devours
Annual Christmas concert features compositions by Shireen Abu-Khader, Srul Irving Glick, Marie-Claire Saindon, and Stephen Smith
Led by director Greg Caisley, concert features 60-voice choir, orchestra, and four outstanding soloists
Season opener, coproduced with Pacific Opera Victoria, features a strong central trio of singers and striking lighting and sets
Vocals, movement, and lighting meet in a bold reimagining of David Lang’s Pulitzer Prize–winning choral composition
Offerings spans queer cinema, live electronic music, and dance throughout this multidisciplinary collaboration between six emerging curators
Award-winning performer, composer, and producer leads a project that blends blues, gospel, hip hop, and griot traditions
The Cree-Dene composer’s new work joins a program aimed at instilling calm, bliss, and joy
As part of the Downtown Eastside Heart of the City Festival, the new show nods to Mexico’s Día de los Muertos and similar traditions from other countries
Baroque masters William Christie and Paul Agnew lead the vocal ensemble in a revelatory program devoted to the lauded Italian composer
Featuring contemporary and canonical pieces, the acclaimed ensemble’s program at the Kay Meek Arts Centre reflects dedication to creating space for emerging and marginalized voices
The American pianist’s project is part of her ongoing engagement with the work of post-abstract expressionist painter Cy Twombly
Director Brenna Corner dove deep into history to flesh out the corruption that surrounds a tragic character who lives life on her own terms
Isabel Leong and her 18-piece band play scores by Ghibli composer Joe Hisaishi—but they don’t simply re-create the music of the films
Grammy-nominated composition draws on poetry to honour species that have vanished from the natural world
As part of Vancouver New Music’s festival, the acclaimed percussionist relies on a traditional Japanese spirit of harmony that allows Reich’s precise patterns to breathe
F.W. Murnau’s 1920 German Expressionist film—an unauthorized adaptation of Dracula—was nearly lost thanks to a lawsuit launched by Bram Stoker’s widow
