Firehall Arts Centre stages The Undeniable Accusations of Red Cadmium Light, April 18 to May 3
Ojibway playwright Drew Hayden Taylor delivers a story about the world of counterfeit Indigenous art
The Undeniable Accusations of Red Cadmium Light. Photo by Guppy Design
The Firehall Arts Centre is producing and presenting The Undeniable Accusations of Red Cadmium Light from April 18 to May 3.
Award-winning Ojibway playwright, author, journalist, and filmmaker Drew Hayden Taylor’s provocative new play dives into the high-stakes world of counterfeit Indigenous art. The shade of paint called Red Cadmium Light was created in 1982. So when a painting attributed to legendary Anishinaabe artist Norval Morrisseau that’s dated earlier than that contains the pigment, it can only mean one thing: it’s a fake.
Nazhi runs an art gallery on the Otter Lake First Nation, specializing in the work of Morrisseau and other renowned Indigenous artists. Her daughter Beverly is a respected Indigenous educator on the verge of a major career breakthrough. But when a reporter begins to dig into the world of counterfeit Indigenous art, what’s discovered jeopardizes both women’s careers—and their relationship—forever.
Tickets to the production are available through the Firehall.
Post sponsored by Firehall Arts Centre.
Related Articles
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
Veteran actors Craig March and Dolores Drake play the young lovers in David French’s play, set in a Newfoundland outport 100 years ago
