Jessie Richardson Theatre Awards unveils nominees for 40th edition, spanning Yaga, A Doll’s House, Part 2, and more
Winners will be announced at a Granville Island Stage ceremony on November 3
Melissa Oei as Nora in Western Gold Theatre’s A Doll’s House, Part 2. Photo by Chelsey Stuyt
AFTER A SHORT HIATUS, the Jessie Richardson Theatre Awards are returning for a 40th edition—and nominations have just been announced in all categories.
The awards, which last took place in 2022, are the most prestigious celebration of professional theatre in Vancouver. Winners will be announced at a ceremony on November 3 at 7 pm, held at the Arts Club Theatre Company’s Granville Island Stage.
Among the shows that garnered the most nominations is Western Gold Theatre’s A Doll’s House, Part 2, Lucas Hnath’s continuation of Henrik Ibsen’s 1879 play, which is up for eight awards in the medium budget division. These include Outstanding Production of a Play, Outstanding Direction by Seamus Fera, and Outstanding Performance in a Leading Dramatic Role for Melissa Oei as Nora. When Stir reviewed the show, we noted that Oei “delivers lines with a rapid-fire self-assurance,” adding that “her steely determination rarely waivers.”
Another frontrunner in the medium budget division is Touchstone Theatre’s Yaga, a mysterious reimagining of the infamous Slavic folk tale of witch Baba Yaga. It also earned eight nominations, namely for Outstanding Production of a Play, Outstanding Direction by Roy Surette, and Outstanding Performance in a Leading Comedic Role for Colleen Wheeler, who played a whopping six characters: Yaga, Katherine Yazov, Geena, Elena, Janice, and Staff Sargent Sidle.
In the large budget division, Théâtre la Seizième’s Ce que je sais de vrai received five nominations, including for Outstanding Set Design by Alaia Hamer, Outstanding Direction by Cory Haas, and Outstanding Production of a Play. In the last category, the other nominees are Pacific Theatre’s The Hobbit and Son of a Preacherman, the Arts Club Theatre Company’s Burning Mom, and Bard on the Beach’s The Dark Lady.
In the small budget division, Niall McNeil’s Beauty and the Beast: My Life—a poignant, panto-style retelling of the titular fairy tale—is nominated for Outstanding Performance by an ensemble, Outstanding Design by Mishelle Cuttler, Outstanding Production, and Significant Artistic Achievement for Artistic Innovation in Theatrical Form.
And in the theatre for young audiences division, nominees include Carousel Theatre for Young People’s Stuart Little, Axis Theatre’s Where Have All the Buffalo Gone?, and Little Onion Puppet Co.’s Otosan.
A full list of nominees for this year’s awards is posted online. ![]()
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
Actor Steffanie Davis plays three roles in the Arts Club production, including the gleefully unhinged, bug-munching Renfield
Keely Rois O’Brien’s season opener at Gateway Theatre has a simple message: if you don’t know how to say it, say it with cake
Governor General Award–winning play about a father and daughter tells of loss and redemption, humanity, and survival
Riddled with language barriers and discrimination, the rice & beans theatre and Gokko Creative Society production grapples with the possibility of unity and acceptance
In a comedy by North Vancouver’s Peter Zednik, exes rekindle their connection, exploring what it means to come out of the closet at any age—and at any cost
Upintheair Theatre stages its latest installment, with What Lab, of a project that challenges local artists to respond to timely topics in science, nature, and astrophysics
A patchwork wall of TV screens, fun nods to found-footage horror, and other genre touches heighten allegorical messages of queer self-acceptance in Touchstone Theatre and Glitch Theatre show
At Anvil Theatre, Sasha Wilson’s play examines the story of accused killer and “folk villain” Lizzie Borden through drama, humour, and murder ballads
In this rollicking production, a chiseled hero must save the city from the scheming God of the No-Fun-Derworld
Maryth Gilroy and Karen Hamm direct Pulitzer Prize–winning playwright Donald Margulies’s drama at the Jericho Arts Centre
The two-hander starring real-life married couple Matt Baram and Naomi Snieckus takes a comedic look at the things we choose to keep and why
Rumble Theatre and ITSAZOO coproduction digs into Succession writer Lucy Prebble’s critically acclaimed play as it builds unease along with the dosage
Tony and Grammy Award–winning actor shares deeply personal, politically urgent, and darkly funny performance and conversation
Showcase of sci-fi and experimental theatre features performances by Jarin Schexnider, Plastik Theatriks, and more
At The Cultch, strong acting and a sharp script that’s packed with memorable lines give life to a play that’s hit an intergenerational nerve
Winner of the 2023 Pulitzer Prize, this quietly powerful play explores cultural displacement with warmth, humour, and piercing insight
Coproduction by Comédie-Française (Paris) and Les songes turbulents (Montréal) explores the passage of time in post-Victorian England
Director Mayumi Yoshida takes on challenges of translation in Hideki Noda’s darkly comedic play about people struggling with mistrust as they try to understand one another across linguistic gulfs
