House of Folk: A Lost Canadian Folk Show premieres at the Firehall Arts Centre, February 14 to March 8
Production by Tracey Power transports audiences back to the time of coffeehouse open mics that nurtured musicians like Joni Mitchell and Leonard Cohen
House of Folk: A Lost Canadian Folk Show
The Firehall Arts Centre is producing and presenting the world premiere of Tracey Power’s House of Folk: A Lost Canadian Folk Show from February 14 to March 8.
Set in the 1960s during the height of the Canadian folk-music revival, House of Folk: A Lost Canadian Folk Show takes audiences to a time when coffeehouses from coast to coast were filled with song and spirit, becoming a source for conversation, communion, and personal revolution. This production uncovers the incredible voices and music of the artists who lived it, including Joni Mitchell, Leonard Cohen, Neil Young, Gordon Lightfoot, and more. It honours those who had the courage to step up to the mic—and to ask audiences to listen.
House of Folk: A Lost Canadian Folk Show features musical arrangements by Van Wilmott, with creative direction by Power, Wilmott, and the Firehall’s artistic producer Donna Spencer.
This work is sponsored by the McGrane-Pearson Endowment Fund. For tickets and more details, visit the Firehall.
Post sponsored by Firehall Arts Centre.
Related Articles
In playwright-performer Christina Cook’s new show, reality-bending correspondence plays out across a stage loosely divided between the three generations of women
Majid Tafreshi’s play intertwines Nezami Ganjavi’s 12th-century poetry with the lives of contemporary theatre actors
Christopher King directs the Tony Award–winning musical comedy about a college grad finding his way in the world
A new dance work by Kirsten Wicklund and Peter Smida, the world premiere of a musical, and more round out the lineup
Short works by D/disability-identified artists offer compelling stories, from a literally spirited cabaret to the time-spanning medical office of Anton Chekhov
Singer Krystle Dos Santos and her band celebrate the record label that brought us legendary performers including Aretha Franklin and Marvin Gaye
One-man show by Amsterdam-based Palestinian artist Alaa Shehada had already been postponed from last spring due to processing holdups
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
