The Horseradish Theatre stages the quirky Slavic-accented comedy Number 13, December 18 to 21
When a Prime Minister’s assistant’s romantic hotel rendez-vous is interrupted, a host of hilariously chaotic misunderstandings ensue
Number 13. Photo by Victoria Letto
The Horseradish Theatre presents Number 13 at The Cultch’s Historic Theatre from December 18 to 21
THE STANISLAVSKI SYSTEM, an acting method devised by Russian theatre practitioner Konstantin Stanislavsky, is all about learning to “live” a role rather than “perform” it. The late artist’s ultimate goal was to train actors to deliver truly believable performances. And his teachings stuck—because a century later, theatre companies are still drawing on his system.
One such group is Vancouver’s The Horseradish Theatre, which is about to remount its quirky comedy Number 13 at The Cultch’s Historic Theatre. What makes Horseradish unique is that it’s a Slavic-accented company; the actors, who all have Slavic roots, will perform the whole production in English on December 18 and 19 and in Russian on December 20 and 21.
Number 13 riffs on Ray Cooney’s 1990 farce Out of Order. Here, it follows a Prime Minister’s assistant who plans a romantic hotel-room rendez-vous with the secretary of the opposing party’s leader. But what starts as an intimate evening quickly devolves into a series of altogether hilarious events when a stranger brings an urgent matter to light.
Directed by Horseradish founder Andrii Krupnyk—who also doubles as lighting and sound designer, and acts in the show—Number 13 features a fast-paced plot full of comical misunderstandings.
Krupnyk teaches the Stanislavsky system to actors and incorporates its principles into all the productions he works on. That skillset should help the ensemble cast of 10 ground all the wonderfully wacky elements at work here. And as Horseradish puts it: the show “might even give you those elusive abs from all the belly laughs". ![]()
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
With strong performances and set design, Mark Crawford’s dramedy relives a marriage’s milestones on a lived-in cottage’s cosy front porch
The London-based performer reveals the struggle and growth behind the bold, disarming visions of their latest show, now on its way to PuSh Festival
In her show titled it is for when you meet me, the creator and performer explores what it means to give and receive through the Filipino tradition of pasalubong and balikbayan boxes
In this left-field comedy, the obsessive lead character is driven by the same perfectionism that her creator has learned to leave aside in life
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Sharp dialogue and restless energy, prodded on by the little irritations of married life, result in cozy yet unsettling laughs
Ahead of his Anvil Theatre show, the long-time cruise-line performer talks about dispelling childhood fears with lovable characters
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
Sanaz Toossi’s play won the Pulitzer Prize for Drama in 2023 for its look at four students preparing for the TOEFL
Latinx theatre artist’s debut script unfolds across three worlds: Toronto, Antigua Guatemala, and a realm in which the immigration system functions like a game show
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Offerings range from storytelling event The Family Flame to dance parties, documentary screenings, drag performances, and more
The starkly moving show by the Czech Republic’s Archa Centre of Documentary Theatre recounts true stories of lives upended by the conflict
Production by Tracey Power transports audiences back to the time of coffeehouse open mics that nurtured musicians like Joni Mitchell and Leonard Cohen
Théâtre Gauche production probes into linguistic insecurities and the stigma of being a “bad francophone”
Romantic comedy set in 1960s New York City follows newlyweds navigating marriage, compromise, and the beautiful mess of learning how to live
Presented with the Shadbolt Centre for the Arts and Presentation House Theatre, Faly Mevamanana’s play centres on a cultural obsession with competition
Skilled Canadian ventriloquist has competed on America’s Got Talent and headlined with Disney Cruise Line for more than two decades
Ruby Slippers Theatre presentation features new works by Irene (Fan) Yi, Abi Padilla, Marcia Johnson, Alexandra Lainfiesta, and Sewit Eden Haile
Amir Hosseini directs the Blackout Art Society production about four Iranian adults preparing for an English proficiency exam
Playwright Mieko Ouchi’s story of one woman’s self-discovery in the Nevada Desert is rooted in her mother’s true story
