The Horseradish Theatre stages the quirky Slavic-accented comedy Number 13, December 18 to 21
When a Prime Minister’s assistant’s romantic hotel rendez-vous is interrupted, a host of hilariously chaotic misunderstandings ensue
Number 13. Photo by Victoria Letto
The Horseradish Theatre presents Number 13 at The Cultch’s Historic Theatre from December 18 to 21
THE STANISLAVSKI SYSTEM, an acting method devised by Russian theatre practitioner Konstantin Stanislavsky, is all about learning to “live” a role rather than “perform” it. The late artist’s ultimate goal was to train actors to deliver truly believable performances. And his teachings stuck—because a century later, theatre companies are still drawing on his system.
One such group is Vancouver’s The Horseradish Theatre, which is about to remount its quirky comedy Number 13 at The Cultch’s Historic Theatre. What makes Horseradish unique is that it’s a Slavic-accented company; the actors, who all have Slavic roots, will perform the whole production in English on December 18 and 19 and in Russian on December 20 and 21.
Number 13 riffs on Ray Cooney’s 1990 farce Out of Order. Here, it follows a Prime Minister’s assistant who plans a romantic hotel-room rendez-vous with the secretary of the opposing party’s leader. But what starts as an intimate evening quickly devolves into a series of altogether hilarious events when a stranger brings an urgent matter to light.
Directed by Horseradish founder Andrii Krupnyk—who also doubles as lighting and sound designer, and acts in the show—Number 13 features a fast-paced plot full of comical misunderstandings.
Krupnyk teaches the Stanislavsky system to actors and incorporates its principles into all the productions he works on. That skillset should help the ensemble cast of 10 ground all the wonderfully wacky elements at work here. And as Horseradish puts it: the show “might even give you those elusive abs from all the belly laughs". ![]()
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
Keely Rois O’Brien’s intimate experimental work transforms a personal message into a subversive cake
Arun Lakra’s play is like a caper movie crossed with a whodunit, and director Andrew Kushnir says pulling it off requires the combined forces of an A team of designers and actors
Darkly funny play examines whether coexistence is possible in a society fraught with prejudice and discrimination
The local French-language theatre company will present everything from a live video game to an emotionally intense two-hander based on a Virginia Woolf masterpiece
A staged reading of Carol Shields and Dave Williamson‘s comedy takes a sharp look at life and love in middle-class suburbia
In playwright-performer Christina Cook’s new show, reality-bending correspondence plays out across a stage loosely divided between the three generations of women
Majid Tafreshi’s play intertwines Nezami Ganjavi’s 12th-century poetry with the lives of contemporary theatre actors
Christopher King directs the Tony Award–winning musical comedy about a college grad finding his way in the world
A new dance work by Kirsten Wicklund and Peter Smida, the world premiere of a musical, and more round out the lineup
Short works by D/disability-identified artists offer compelling stories, from a literally spirited cabaret to the time-spanning medical office of Anton Chekhov
Singer Krystle Dos Santos and her band celebrate the record label that brought us legendary performers including Aretha Franklin and Marvin Gaye
One-man show by Amsterdam-based Palestinian artist Alaa Shehada had already been postponed from last spring due to processing holdups
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
