The Horseradish Theatre stages the quirky Slavic-accented comedy Number 13, December 18 to 21
When a Prime Minister’s assistant’s romantic hotel rendez-vous is interrupted, a host of hilariously chaotic misunderstandings ensue
Number 13. Photo by Victoria Letto
The Horseradish Theatre presents Number 13 at The Cultch’s Historic Theatre from December 18 to 21
THE STANISLAVSKI SYSTEM, an acting method devised by Russian theatre practitioner Konstantin Stanislavsky, is all about learning to “live” a role rather than “perform” it. The late artist’s ultimate goal was to train actors to deliver truly believable performances. And his teachings stuck—because a century later, theatre companies are still drawing on his system.
One such group is Vancouver’s The Horseradish Theatre, which is about to remount its quirky comedy Number 13 at The Cultch’s Historic Theatre. What makes Horseradish unique is that it’s a Slavic-accented company; the actors, who all have Slavic roots, will perform the whole production in English on December 18 and 19 and in Russian on December 20 and 21.
Number 13 riffs on Ray Cooney’s 1990 farce Out of Order. Here, it follows a Prime Minister’s assistant who plans a romantic hotel-room rendez-vous with the secretary of the opposing party’s leader. But what starts as an intimate evening quickly devolves into a series of altogether hilarious events when a stranger brings an urgent matter to light.
Directed by Horseradish founder Andrii Krupnyk—who also doubles as lighting and sound designer, and acts in the show—Number 13 features a fast-paced plot full of comical misunderstandings.
Krupnyk teaches the Stanislavsky system to actors and incorporates its principles into all the productions he works on. That skillset should help the ensemble cast of 10 ground all the wonderfully wacky elements at work here. And as Horseradish puts it: the show “might even give you those elusive abs from all the belly laughs". ![]()
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
