The Horseradish Theatre stages the quirky Slavic-accented comedy Number 13, December 18 to 21
When a Prime Minister’s assistant’s romantic hotel rendez-vous is interrupted, a host of hilariously chaotic misunderstandings ensue
Number 13. Photo by Victoria Letto
The Horseradish Theatre presents Number 13 at The Cultch’s Historic Theatre from December 18 to 21
THE STANISLAVSKI SYSTEM, an acting method devised by Russian theatre practitioner Konstantin Stanislavsky, is all about learning to “live” a role rather than “perform” it. The late artist’s ultimate goal was to train actors to deliver truly believable performances. And his teachings stuck—because a century later, theatre companies are still drawing on his system.
One such group is Vancouver’s The Horseradish Theatre, which is about to remount its quirky comedy Number 13 at The Cultch’s Historic Theatre. What makes Horseradish unique is that it’s a Slavic-accented company; the actors, who all have Slavic roots, will perform the whole production in English on December 18 and 19 and in Russian on December 20 and 21.
Number 13 riffs on Ray Cooney’s 1990 farce Out of Order. Here, it follows a Prime Minister’s assistant who plans a romantic hotel-room rendez-vous with the secretary of the opposing party’s leader. But what starts as an intimate evening quickly devolves into a series of altogether hilarious events when a stranger brings an urgent matter to light.
Directed by Horseradish founder Andrii Krupnyk—who also doubles as lighting and sound designer, and acts in the show—Number 13 features a fast-paced plot full of comical misunderstandings.
Krupnyk teaches the Stanislavsky system to actors and incorporates its principles into all the productions he works on. That skillset should help the ensemble cast of 10 ground all the wonderfully wacky elements at work here. And as Horseradish puts it: the show “might even give you those elusive abs from all the belly laughs". ![]()
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
