Tradition and innovation meet as Amir Amiri Ensemble comes to the Chan Centre, February 7
The group’s namesake is a master of the santur who draws on Persian classical styles as well as everything from jazz to the avant-garde
Amir Amiri. Photo by Friso Pankonin
Chan Centre Director’s Cut presents the Amir Amiri Ensemble on February 7 at 8 pm at the Roy Barnett Recital Hall
THE SANTUR IS a sophisticated 72-string hammered dulcimer that dates back to 500 BCE. It’s an instrument that Iranian-Canadian musician Amir Amiri has mastered, and local audiences will have the opportunity to hear its shimmering, silvery sound when the Amir Amiri Ensemble appears in concert as part of the Chan Centre Director’s Cut series on February 7.
Born in Tehran and based in Montreal, Amiri has collaborated with jazz, classical, and avant-garde musicians as well as dancers and theatre artists.
Rounding out his ensemble are Abdul-Wahab Kayyali (oud), Reza Abaee (ghaychak), Omar Abou Afach (viola), and Hamin Honari (percussion).
The rarely heard ghaychak is a string instrument typically used in rural areas of Baluchistan, Pakistan and North India. It is a relatively new arrival to the pantheon of Iranian classical music.
The ensemble’s musicians blend tradition with innovation, taking inspiration from their Persian musical roots while adding in fresh contemporary styles to their repertoire. 
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