Early Music Vancouver hosts Doulce Mémoire: Now, Let Us Dance! on April 12
French choreographer Hubert Hazebroucq performs 15th- and 16th-century dances to the sound of a live wind band
Hubert Hazebroucq (left) with Doulce Mémoire.
Early Music Vancouver presents Doulce Mémoire: Now, Let Us Dance!, a celebration of the art of dance in the 15th and 16th centuries, at the Vancouver Playhouse on April 12 at 7:30 pm.
People often imagine early dances being highly stylized, formal, and solemn. But this concert and dance performance featuring French choreographer Hubert Hazebroucq will show audiences the true nature of the form in the 15th and 16th centuries. Omnipresent at court festivities, early dances were elegant, refined, and aristocratic, becoming virtuosic, theatrical, and allegorical when performed in the interludes of princely celebrations.
Hazebroucq’s movement will be accompanied by the wind band of Doulce Mémoire, directed by Denis Raisin Dadre. The French ensemble’s musicians can switch with ease from hauts (“loud”) instruments, such as shawms and oboes, to bas (“soft”) instruments among the likes of flutes and bassoons.
For tickets to the show and more information, visit Early Music Vancouver.
Post sponsored by Early Music Vancouver.
Related Articles
Performing at the Chutzpah! Festival, Lala Tamar and Ofer Ronen fuse Middle Eastern, North African, and Iberian musical forms for songs both traditional and original
Collaboration between Belle Spirale Dance and Vancouver Chamber Choir finds galvanizing expression in the choreography of Kevin O’Day and the voices directed by Kari Turunen
Barenaked Ladies co-founder performs songs from his upcoming holiday album alongside guitarist Craig Northey and cellist Kevin Fox
France-based artists perform Marc-Antoine Charpentier’s joyful Messe de minuit pour Noël
According to artistic director Erick Lichte, the choir’s long-running annual event often feels more like a ritual than a concert
Smetana’s lively comic opera centres on two young lovers determined to marry against all odds
The project’s success should allow the double bassist and composer—who kicks off Music on Main’s 2026–27 season—to turn down more gigs as a hired sideman
The 1980s-themed party includes a free-play arcade, a pop-up tattoo parlour, and live performances by Trauma Novelle, Reveal Yourself, and Devours
Annual Christmas concert features compositions by Shireen Abu-Khader, Srul Irving Glick, Marie-Claire Saindon, and Stephen Smith
Led by director Greg Caisley, concert features 60-voice choir, orchestra, and four outstanding soloists
Season opener, coproduced with Pacific Opera Victoria, features a strong central trio of singers and striking lighting and sets
Vocals, movement, and lighting meet in a bold reimagining of David Lang’s Pulitzer Prize–winning choral composition
Offerings spans queer cinema, live electronic music, and dance throughout this multidisciplinary collaboration between six emerging curators
Award-winning performer, composer, and producer leads a project that blends blues, gospel, hip hop, and griot traditions
The Cree-Dene composer’s new work joins a program aimed at instilling calm, bliss, and joy
As part of the Downtown Eastside Heart of the City Festival, the new show nods to Mexico’s Día de los Muertos and similar traditions from other countries
Baroque masters William Christie and Paul Agnew lead the vocal ensemble in a revelatory program devoted to the lauded Italian composer
Featuring contemporary and canonical pieces, the acclaimed ensemble’s program at the Kay Meek Arts Centre reflects dedication to creating space for emerging and marginalized voices
The American pianist’s project is part of her ongoing engagement with the work of post-abstract expressionist painter Cy Twombly
Director Brenna Corner dove deep into history to flesh out the corruption that surrounds a tragic character who lives life on her own terms
