Early Music Vancouver's annual Summer Festival closes with Mozart's Requiem, August 8
Performance of the legendary work features the Pacific Baroque Orchestra, Vancouver Cantata Singers, and four vocal soloists
EMV Summer Festival performance. Photo by Jan Gates
Commissioned under mysterious circumstances and left unfinished at his death, Mozart’s Requiem remains one of classical music’s most powerful and enigmatic works. Composed during his final days in 1791, it carries the emotional and spiritual weight of a life’s culmination—an extraordinary blend of operatic drama, sublime vocal writing, and sacred tradition.
On August 8 at the Chan Centre for the Performing Arts, Early Music Vancouver presents this legendary work as the climactic finale of its Summer Festival, themed Bach and Mozart: In Endless Ascent. This performance features a compelling new completion by British conductor Howard Arman, who expands on Mozart’s genius while honouring the familiar Süßmayr version.
Under the direction of Alexander Weimann, this EMV debut features soprano Magali Simard-Galdès, mezzo-soprano Emma Parkinson, tenor Jacob Perry, and baritone Drew Santini, alongside the Pacific Baroque Orchestra and Vancouver Cantata Singers. In a radiant celebration of EMV’s 55th anniversary, it honours the enduring ascent of great music.
Tickets are available through EMV.
Post sponsored by Early Music Vancouver.
Related Articles
The 1980s-themed party includes a free-play arcade, a pop-up tattoo parlour, and live performances by Trauma Novelle, Reveal Yourself, and Devours
Annual Christmas concert features compositions by Shireen Abu-Khader, Srul Irving Glick, Marie-Claire Saindon, and Stephen Smith
Led by director Greg Caisley, concert features 60-voice choir, orchestra, and four outstanding soloists
Season opener, coproduced with Pacific Opera Victoria, features a strong central trio of singers and striking lighting and sets
Vocals, movement, and lighting meet in a bold reimagining of David Lang’s Pulitzer Prize–winning choral composition
Offerings spans queer cinema, live electronic music, and dance throughout this multidisciplinary collaboration between six emerging curators
Award-winning performer, composer, and producer leads a project that blends blues, gospel, hip hop, and griot traditions
The Cree-Dene composer’s new work joins a program aimed at instilling calm, bliss, and joy
As part of the Downtown Eastside Heart of the City Festival, the new show nods to Mexico’s Día de los Muertos and similar traditions from other countries
Baroque masters William Christie and Paul Agnew lead the vocal ensemble in a revelatory program devoted to the lauded Italian composer
Featuring contemporary and canonical pieces, the acclaimed ensemble’s program at the Kay Meek Arts Centre reflects dedication to creating space for emerging and marginalized voices
The American pianist’s project is part of her ongoing engagement with the work of post-abstract expressionist painter Cy Twombly
Director Brenna Corner dove deep into history to flesh out the corruption that surrounds a tragic character who lives life on her own terms
Isabel Leong and her 18-piece band play scores by Ghibli composer Joe Hisaishi—but they don’t simply re-create the music of the films
Grammy-nominated composition draws on poetry to honour species that have vanished from the natural world
As part of Vancouver New Music’s festival, the acclaimed percussionist relies on a traditional Japanese spirit of harmony that allows Reich’s precise patterns to breathe
F.W. Murnau’s 1920 German Expressionist film—an unauthorized adaptation of Dracula—was nearly lost thanks to a lawsuit launched by Bram Stoker’s widow
Program features a world premiere, a new arrangement, and the return of Don Macdonald’s High Flight, which pays tribute to a Canadian airman’s journey
Four artists play iconic Canadian songs on an instrument made from pieces of national history
