From Legally Blonde to Nunsense, Metro Theatre brings the joy in 2025-26 season announcement
Roster also includes the troupe’s 40th panto, Jack and the Beanstalk, plus Neil Simon, Lend Me a Tenor, Shakespeare in Love, and more
Metro Theatre’s most recent panto, Cinderella!.
Metro Theatre. Photo by Chelsey Stuyt
THE HISTORIC METRO THEATRE has just unveiled its 2025-26 season, which includes its 40th pantomime, Jack and the Beanstalk, for the holiday season. Returning December 12 to January 4, 2026, it’s been created by the team behind last year’s Ovation Award–winning Cinderella!.
The company’s theme for the season is “joy”—and the theatre has much to celebrate as it wraps this season with Joseph and the Amazing Technicolor Dreamcoat, the first large-scale musical it has staged since a rough ride through the pandemic. Metro recently refurbished its heritage lounge, and last holiday season marked its best-selling pantomime in 10 years, with Cinderella!.
The next season kicks off on an upbeat note with Ken Ludwig’s Lend Me a Tenor, the madcap, Tony Award–winning comedy about the chaos that ensues when a world-famous opera star passes out before the big show. It runs October 3 to 25.
Jane Austen fans will welcome news of the next show, Miss Bennet: Christmas at Pemberley. Written by Lauren Gunderson and Margot Melcon, the imagined sequel to Pride and Prejudice centres around a family Christmas reunion, and runs November 7 to 29.
Kicking off the new year is Neil Simon’s Barefoot in the Park (running January 23 to February 14), the romantic comedy that took Broadway by storm in the 1960s.
It’s followed by Dan Goggin’s comedic audience favourite Nunsense, returning February 27 to March 21. Think tap-dancing nuns, a former circus performer, foul-mouthed puppets, and more.
More romantic witticisms are on offer when Metro stages Shakespeare in Love from April 3 to 25 of next year, based on the screenplay by Marc Norman and Tom Stoppard and following a young Will Shakespeare, who’s plagued by writer’s block.
Wrapping the season is the hit song-and-dance musical Legally Blonde, based on the hit movie starring Reese Witherspoon. It runs May 8 to June 7.
Find more details at the Metro Theatre website. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
