From Legally Blonde to Nunsense, Metro Theatre brings the joy in 2025-26 season announcement
Roster also includes the troupe’s 40th panto, Jack and the Beanstalk, plus Neil Simon, Lend Me a Tenor, Shakespeare in Love, and more
Metro Theatre’s most recent panto, Cinderella!.
Metro Theatre. Photo by Chelsey Stuyt
THE HISTORIC METRO THEATRE has just unveiled its 2025-26 season, which includes its 40th pantomime, Jack and the Beanstalk, for the holiday season. Returning December 12 to January 4, 2026, it’s been created by the team behind last year’s Ovation Award–winning Cinderella!.
The company’s theme for the season is “joy”—and the theatre has much to celebrate as it wraps this season with Joseph and the Amazing Technicolor Dreamcoat, the first large-scale musical it has staged since a rough ride through the pandemic. Metro recently refurbished its heritage lounge, and last holiday season marked its best-selling pantomime in 10 years, with Cinderella!.
The next season kicks off on an upbeat note with Ken Ludwig’s Lend Me a Tenor, the madcap, Tony Award–winning comedy about the chaos that ensues when a world-famous opera star passes out before the big show. It runs October 3 to 25.
Jane Austen fans will welcome news of the next show, Miss Bennet: Christmas at Pemberley. Written by Lauren Gunderson and Margot Melcon, the imagined sequel to Pride and Prejudice centres around a family Christmas reunion, and runs November 7 to 29.
Kicking off the new year is Neil Simon’s Barefoot in the Park (running January 23 to February 14), the romantic comedy that took Broadway by storm in the 1960s.
It’s followed by Dan Goggin’s comedic audience favourite Nunsense, returning February 27 to March 21. Think tap-dancing nuns, a former circus performer, foul-mouthed puppets, and more.
More romantic witticisms are on offer when Metro stages Shakespeare in Love from April 3 to 25 of next year, based on the screenplay by Marc Norman and Tom Stoppard and following a young Will Shakespeare, who’s plagued by writer’s block.
Wrapping the season is the hit song-and-dance musical Legally Blonde, based on the hit movie starring Reese Witherspoon. It runs May 8 to June 7.
Find more details at the Metro Theatre website. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Theatre artist’s innovative one-man show mixes memoir and history lesson, with live music by Syrian-born musician Emad Armoush
Long-time company writer and director Valerie Methot talks about her rich creative collaboration with young people who are struggling with the fallout of addiction to phones
Brussels-based company also presents its beloved play La Convivialité, which addresses convention in French spelling
Professional Association of Canadian Theatres prize recognizes Vancouver company work that addressed 2021 heat wave, flooding, and fires
At the Firehall Arts Centre, Drew Hayden Taylor draws complex characters and sharp comedic artworld moments in a play that really kicks into gear in second act
Starring Banafsheh Hassani and directed by Art Babayants, play draws on a classic Greek tragedy to explore calls to action
Play by David French stars Dolores Drake as 17-year-old Mary and Craig March as her former sweetheart Jacob
In Lost Dog’s witty mix of dance, comedy, and theatre at The Cultch, the famous couple have to contend with everything the rest of us do
Royal City Musical Theatre’s inventive staging and design help bring classic cast of characters to vivid life
Adaptation of the beloved film follows fashionable sorority president Elle Woods on her journey to law school
Prolific playwright Drew Hayden Taylor bases the new work on real forgeries of paintings by late Anishinaabe artist Norval Morrisseau
Carousel Theatre for Young People brings the beloved Robert Munsch story to life at the Waterfront Theatre
Secret Ingredients, 42nd Street, and Woking Phoenix amid the choices on Richmond venue’s roster
Guided by audience suggestions, the ensemble explores strange—and hilarious—new worlds in the space-themed show
Peter Jorgensen and Nicole Spinola are on deck to direct the alternating shows in Stanley Park this summer
Live podcast recording at the Roundhouse features short original performances by 10 emerging artists
Playing at The Cultch’s York Theatre, ambitious Urban Ink and Raven Theatre work wields multiple threads and is bound to ignite discussion of often-neglected Indigenous issues
Based on DreamWorks Animation’s 2001 hit, Royal City Musical Theatre presents the beloved tale of an ogre defending his swamp and finding love and friendship along the way
Arts Club Theatre Company musical is buoyed by strong performances, soaring music, and sharp comedy
Special events include Wine Wednesdays, Family Days, and the all-new Bard After Dark cabaret nights
French tragicomedy for young audiences tells the story of a little pea who’s been displaced and must find his way home
Longtime friends and Theatre Replacement collaborators cross genres at The Cultch in a work that explores existence through music, science, lecture, art installation—and cake
In Upintheair Theatre’s annual event at The Cultch, opera, standup, puppets, and more mix together in experimental stage works about everything from eco disaster to cats
Vibrant musical brings a beloved story to life with a dynamic cast, nostalgic design, and live orchestra
Lee Hall’s stage adaptation of the well-known screenplay revels in what we think we know about the most famous playwright of all time
At the Firehall Arts Centre, Marlene Ginader’s comedic solo show sinks its teeth into media myths fuelled by true crime
Play written and directed by Valerie Methot in collaboration with diverse Metro Vancouver youth makes its world premiere
