From Legally Blonde to Nunsense, Metro Theatre brings the joy in 2025-26 season announcement
Roster also includes the troupe’s 40th panto, Jack and the Beanstalk, plus Neil Simon, Lend Me a Tenor, Shakespeare in Love, and more
Metro Theatre’s most recent panto, Cinderella!.
Metro Theatre. Photo by Chelsey Stuyt
THE HISTORIC METRO THEATRE has just unveiled its 2025-26 season, which includes its 40th pantomime, Jack and the Beanstalk, for the holiday season. Returning December 12 to January 4, 2026, it’s been created by the team behind last year’s Ovation Award–winning Cinderella!.
The company’s theme for the season is “joy”—and the theatre has much to celebrate as it wraps this season with Joseph and the Amazing Technicolor Dreamcoat, the first large-scale musical it has staged since a rough ride through the pandemic. Metro recently refurbished its heritage lounge, and last holiday season marked its best-selling pantomime in 10 years, with Cinderella!.
The next season kicks off on an upbeat note with Ken Ludwig’s Lend Me a Tenor, the madcap, Tony Award–winning comedy about the chaos that ensues when a world-famous opera star passes out before the big show. It runs October 3 to 25.
Jane Austen fans will welcome news of the next show, Miss Bennet: Christmas at Pemberley. Written by Lauren Gunderson and Margot Melcon, the imagined sequel to Pride and Prejudice centres around a family Christmas reunion, and runs November 7 to 29.
Kicking off the new year is Neil Simon’s Barefoot in the Park (running January 23 to February 14), the romantic comedy that took Broadway by storm in the 1960s.
It’s followed by Dan Goggin’s comedic audience favourite Nunsense, returning February 27 to March 21. Think tap-dancing nuns, a former circus performer, foul-mouthed puppets, and more.
More romantic witticisms are on offer when Metro stages Shakespeare in Love from April 3 to 25 of next year, based on the screenplay by Marc Norman and Tom Stoppard and following a young Will Shakespeare, who’s plagued by writer’s block.
Wrapping the season is the hit song-and-dance musical Legally Blonde, based on the hit movie starring Reese Witherspoon. It runs May 8 to June 7.
Find more details at the Metro Theatre website. ![]()
Janet Smith is founding partner and editorial director of Stir. She is a Webster Award–winning arts journalist who has spent more than three decades immersed in Vancouver’s performing arts, film, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Offerings range from Indigenous drum and dance performances to videos that spotlight the Overdose Prevention Society
Two unique solo shows—one set in the underworld, the other in the dressing room—deliver witty takes on contemporary anxieties
Queer zombie love story explores mental illness, trauma, and choosing life in turbulent times
Keely Rois O’Brien’s intimate experimental work transforms a personal message into a subversive cake
Arun Lakra’s play is like a caper movie crossed with a whodunit, and director Andrew Kushnir says pulling it off requires the combined forces of an A team of designers and actors
Darkly funny play examines whether coexistence is possible in a society fraught with prejudice and discrimination
The local French-language theatre company will present everything from a live video game to an emotionally intense two-hander based on a Virginia Woolf masterpiece
A staged reading of Carol Shields and Dave Williamson‘s comedy takes a sharp look at life and love in middle-class suburbia
In playwright-performer Christina Cook’s new show, reality-bending correspondence plays out across a stage loosely divided between the three generations of women
Majid Tafreshi’s play intertwines Nezami Ganjavi’s 12th-century poetry with the lives of contemporary theatre actors
Christopher King directs the Tony Award–winning musical comedy about a college grad finding his way in the world
A new dance work by Kirsten Wicklund and Peter Smida, the world premiere of a musical, and more round out the lineup
Short works by D/disability-identified artists offer compelling stories, from a literally spirited cabaret to the time-spanning medical office of Anton Chekhov
Singer Krystle Dos Santos and her band celebrate the record label that brought us legendary performers including Aretha Franklin and Marvin Gaye
One-man show by Amsterdam-based Palestinian artist Alaa Shehada had already been postponed from last spring due to processing holdups
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
