Ionesco's Cabaret mixes absurdist theatre with a playful art party, July 23 to 25
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
Ionesco’s Cabaret
Come one, come all to Ionesco’s Cabaret, a new event that’s part theatrical double bill, part art party. Presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre, this spectacle transforms Progress Lab 1422 into an absurdist cabaret from July 23 to 25.
Ionesco’s Cabaret sets two performance pieces written by the late avant-garde master Eugène Ionesco—The Leader directed by David Mesiha, and Frenzy for Two directed by Richard Wolfe—alongside Tim Carlson/feral.i.d’s debut photo-audio installation Lost Hands, which features worrisome narratives on multi-channel speakers and a slideshow of equally worrisome found objects. And don’t worry, there will be a bar open all evening.
This event is a playful encounter between friends and foes, entangling audience members in love collisions, mass persuasion, and social unravelling. Doors open at 7 pm each night, and the show starts at 7:30 pm.
More details and tickets to Ionesco’s Cabaret are available here.
Post sponsored by Pi Theatre.
Related Articles
With the Firehall Arts Centre hosting the first local production of the play since 2010, a look back on its legacy, its Lytton setting, and its acclaim
This holiday season, writer-director Shel Piercy gives the classic fairy tale a distinctly British panto twist
The North Vancouver playwright’s comedy reveals that love and personal acceptance can occur at any age
E.B. White’s timeless tale follows an endearing mouse navigating a world built for humans
Inspired by the artistry of Mexico, acclaimed production delivers a cultural experience that resonates long after the final curtain call
Playwright Yvette Nolan reimagines the life of Jordan River Anderson, the boy behind a monumental Canadian government initiative to secure equal health care for First Nations youth
In medium-budget category, shows like The Effect, Fire Never Dies, and People, Places & Things stand out, while small-budget division features diverse field of nominees
Playing at the Firehall Arts Centre and Burnaby’s Shadbolt Centre for the Arts, new musical draws on research into volunteer nurses
Gender-bending Arts Club production of Gordon Greenberg and Steve Rosen’s gothic comedy includes plenty of absurd humour and one perfectly cast vampire
Playwright Ronit Rubinstein’s solo show delves into her relationship with her late father through objects and memories he left behind
Four-time Tony Award–winning rock musical takes audiences on a wild ride through themes of identity, heartbreak, and belonging
In new Electric Company Theatre play, premiering at the Downtown Eastside Heart of the City Festival, real grief over his sister mixes with fictional elements and age-old myth
The touring production returns to Vancouver after seven years, featuring a 14-metre rain curtain and giant treadmills powered by 28 car batteries
This time out, the Nunsense sisters produce a chaotic Christmas special for cable-access television
Willow Lewmos directs the darkly comedic solo show as part of the Downtown Eastside Heart of the City Festival
Immersive theatre experience arrives just in time for spooky season, featuring freaky performances and mischievous sewer rats
With plenty of laughter, improv-comedy veterans Naomi Snieckus and Matt Baram candidly explore loss and how we attach meaning to objects
Award-winning filmmaker discusses his mission to highlight the unmatched diversity of wild cats in India
Actor Steffanie Davis plays three roles in the Arts Club production, including the gleefully unhinged, bug-munching Renfield
