Vancouver Art Gallery's immersive late-night Art Party returns for another edition, May 24
Highly anticipated event features a festive atmosphere and performances in celebration of Asian Heritage Month
Vancouver Art Gallery’s Art Party.
On May 24, the Vancouver Art Gallery’s much-anticipated Art Party returns for an unforgettable evening of thought-provoking performances, live DJ sets, and immersive art experiences.
Dance the night away, make art with friends, and explore the exhibitions in an atmosphere designed to surprise, delight, and inspire. From 8 pm to midnight, this late-night party features a range of performances presented as part of the gallery’s Asian Heritage Month programming, an initiative of the Centre for Global Asias. Companies and artists on the program include Theatre Replacement, Wei Chang, and DJ Ephemeral Objects.
Be among the first to experience the gallery’s highly anticipated summer exhibitions, Otani Workshop: Monsters in My Head and Written in Clay: From the John David Lawrence Collection. Plus, discover the latest 1:1 Artists Select installation, featuring a special selection from the collection by acclaimed Vancouver artist Douglas Coupland.
Ticket pricing varies. For more information, visit the Vancouver Art Gallery.
Post sponsored by Vancouver Art Gallery.
Related Articles
Hosted by the Astro Club Artist facility, the event—now in its second year—continues to pick up where the Vancouver Mural Festival left off
In Greg Girard: Photographs 1972–2026, Vancouver artist’s well-known nighttime hideaways and cityscapes share space with his affecting, lesser-known shots of urban dwellers
Negotiations reached an impasse in recent weeks and illustrate challenges facing small artistic nonprofit workplaces
The local artist’s new exhibition is based on a collection of photographs of Japanese Canadians taken in the years before the Second World War
Vivid painting, sculpture, digital media, embroidery, poetry, and architectural forms examine generational ties within the South Asian diaspora
Marking its sixth year, the celebration brings communities together with more walking tours and hands-on workshops, from indigo dyeing to plein air drawing
Open until February 2027, the exhibition celebrates the Chinese-Canadian artist’s life and work, connecting personal memory and histories of migration
Hawksley Workman, plus mesmerizing cultural melds from El Balcón, Benin International Musical, and more
Solo exhibition spans painting, sculpture, digital media, embroidery, poetry, and architectural forms
From walking tours through upper Ambleside’s Modernist landmarks to a screening about an unsung mid-century design maverick at Kay Meek Arts Centre, architectural celebrations abound
In addition to finished pieces in a variety of styles, weekly event also features live music, art demonstrations, and hands-on workshops
Beer kegs to donkey heads, Vancouver artist’s expansive new exhibition uncovers Ceperley Mansion’s past while linking it to masculinity rites, from Ancient Greece through to today’s headlines
New art-making opportunities and expanded art walks are part of the programming just announced
Community Art Show captures a cross-section of experience, while Varied Editions plays with multiple prints of the same image
Spreading as far west as Tolmie Street, Artists in Our Midst’s annual open-studio event features 79 talents in all
UBC Okanagan associate professor has a celebrated multidisciplinary practice that works across sculpture, installation, photography, and the built environment
New exhibition I Use My Haida Eyes features 51 of the artist’s intricate works, which hold layers of cultural knowledge
These are just a few of the highlights at the 10th annual edition of the showcase of Canadian and international artists
Multilayered exhibition of video and handcrafted works at Western Front blends detective tales and esoteric rituals to create an ongoing, genre-defying form of storytelling
Here’s a snapshot of just two form-pushing talents out of the more than 400 on view at the giant exhibition, May 13 to 27
Wilson’s 50 painted and appliquéd robes document specific episodes of Haida history, representing an expansion of traditional Indigenous form
