Vancouver Folk Music Festival Society survives: board withdraws motion to dissolve
Due to overwhelming opposition to a proposed vote that could have seen the fest come to an end, board reverses course, launches fundraising and volunteer drive
THE VANCOUVER FOLK Music Festival isn’t going anywhere without a fight. The VFMF Society may still be facing financial strife, but the fest is not facing imminent collapse, as could have been the case had a proposed vote resulted in its dissolution.
The VFMF Society’s board of directors has just announced that it has voted to withdraw the motion to dissolve the society, which was proposed due to the festival’s financial difficulties. The board has also launched a fundraising and volunteer drive to help save the festival.
After the festival virtual town hall on February 1—where nearly 300 participants shared their thoughts and suggestions—the board met and voted to rescind the motion to dissolve the society.
“The board has listened to the feedback from the community, VFMF board president Mark Zuberbuhler tells Stir. “We are also aware of the incredible support and passion that people have for the festival. We have received countless communications with ideas and willingness to help in any way possible. As a result we want to harness the energy and see what can be accomplished.”
As reported by Stir, the VFMF Society’s board has stated the organization needs anywhere from $400,000 to $600,000 per year going forward to sustain the fest. The board’s proposal for a vote among members to dissolve the society met with swift public response. The board then delayed its annual general meeting to try to find ways to save the fest and ended up holding the town hall on February 1.
“The Vancouver Folk Music Festival has long been, and is currently, in a financially dire condition,” Zuberbuhler said in a February 6 release. Our main goal as the board has always been to see a strong, sustainable festival. Because of the strong support that has come from the community and our partners we now see the possibility of building that festival.
“Our funders, our partners, other festivals, our members, and our audience have said unequivocally that they want to help with the work of saving the festival,” Zuberbuhler said. “The festival really needs that help now so this is very encouraging.”
While the 2023 festival has been cancelled, Zuberbuhler recommends people interested in helping the fest move forward go to website to find out how to donate, become a member, or volunteer for the event’s rebuild. There is also information available from the virtual town hall meeting along with event’s full recording. The board will continue to take ideas and suggestions on ways to save the folk fest a Thought Exchange tool on the website.
“We want the community to know that the board is dedicated to finding ways to save the Vancouver Folk Music Festival,” Zuberbuhler said. “Now is the time for that support to translate into action so we can build an enduring and sustainable Vancouver Folk Music Festival. We need people to step up now.”
Related Articles
Stops include a three-night residency at Austria’s Salzburg Easter Festival, as well as Croatia, Slovenia, Liechtenstein, and Germany
In this PuSh Fest, Music on Main, and Dance Centre premiere, humming songs, whispered words, and hypnotic movement bring a sense of serenity and connection to a chaotic world
Among the 28-year-old’s recent achievements is winning the Terence Judd-Hallé Award for young pianists on the cusp of international fame
The Winnipeg artist brings experience as a tenor to a Mozart opera reimagined in a 1930s Rockies resort, complete with Mounties and log drivers
With staging that evokes a Chicago jazz bar, the Dance Centre and PuSh Festival co-presentation draws on matrilineal fashion and line dancing
Romance, deception, and mistaken identities abound in Gioachino Rossini’s beloved comic masterpiece
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
In a riveting PuSh Festival and New Works copresentation, Belgium’s Cherish Menzo plays with repetition, chopped-and-screwed music, and flashing dental grillz
Han-Na Chang conducts Beethoven’s revolutionary Third Symphony
The renowned theatre artist and composer offers a stirring collection of tunes from acclaimed shows such as Children of God and Starwalker
Long-time UBC and CapU faculty member puts on a show featuring dozens of local musicians, plus vocalists Dawn Pemberton and Khari McClelland
The Winnipeg-based artist looks forward to onstage exchanges with diverse musical peers on International Guitar Night
Event hosted by Michael van den Bos features Hollywood film projections and live music by the Laura Crema Sextet
In the deeply moving production, dancers embody the ancient tale of death and longing by tapping into their own experiences of tragedy
Sonic architecture of Winnipeg’s AO Roberts explores the interplay of performance, installation, and layered auditory experiences
Vancouver City Council greenlights $2,665,000 for acquiring the property, with funds from the False Creek Flats Amenity Share Reserve
Collaborating with vocalists taught the acclaimed, formerly all-instrumental group new ways of listening and working
Rarely presented in Vancouver, the production blends musical theatre and opera with a philosophically rooted storyline
The adventurous artist sees his upcoming program with Vetta Chamber Music as a way of expressing music’s power to console and cheer, even in dark times
Hosted by the Cellar Music Group at the Shadbolt Centre, festival opens with a special concert by the Vancouver Jazz Orchestra with Champian Fulton and Klas Lindquist
Five emerging conductors lead a program of pieces by both Canadian and American composers, from Amy Beach to Stuart Beatch
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Programming spans the festival’s beloved annual Book Clubs epilogue event and pre-festival events with photographer Dina Goldstein and cookbook author Rachel Simons
Productions that “push” forms include dance works that play with props and stereotypes, as well as ethereal odes to nature and the northern lights
Musician rises to the challenge of Brahms’s sole Violin Concerto on program that also features guest conductor Han-Na Chang
Under the inspiring title I Fall, I Rise, the concert also features the Focus post-secondary choir and winners of the Young Composers’ Competition
Offerings range from storytelling event The Family Flame to dance parties, documentary screenings, drag performances, and more
