Amanda Forsythe sings Handel's arias at an Early Music Vancouver concert, September 27
Soprano joins the Pacific Baroque Orchestra under the direction of Alexander Weimann
Amanda Forsythe and the Pacific Baroque Orchestra. Photo by Jan Gates
Internationally acclaimed soprano Amanda Forsythe will sing the music of Handel in a Christ Church Cathedral concert on September 27 at 7:30 pm. This exceptional show produced by Early Music Vancouver also features the Pacific Baroque Orchestra under the direction of Alexander Weimann.
The program includes Handel arias originally written for French soprano Élisabeth Duparc, nicknamed “La Francesina”, Handel’s preferred prima donna. To this celebration of the symbiosis between composer and performer, Handel and Duparc, Métis composer T. Patrick Carrabré adds a timely new collaboration with the visionary research of Canadian forest ecologist Suzanne Simard, based on her novel Finding The Mother Tree. Since moving to B.C. from Manitoba, Carrabré has drawn inspiration from the forests here, which led him to Simard’s novel.
A pre-concert chat with Weimann and Carrabré will take place at 7 pm, hosted by Denise Ball.
Tickets and more details are available through Early Music Vancouver.
Post sponsored by Early Music Vancouver.
Related Articles
The series includes appearances by Canadian and international artists, including throat-singing duo Silla, composer Kelly Moran, and experimental rock act Xiu Xiu
Tackling the title role in Monteverdi’s Orfeo as part of EMV’s Summer Festival requires a different approach, the French singer says—and a willingness to push beyond beautiful singing
As part of VIFF Live, Juno-nominated artist will perform a set of classic Burt Bacharach material before a screening of Austin Powers: International Man of Mystery
Brass-band fusion, soul-stirring singer-songwriters, fiery fiddle, and more spread across the fest’s five stages on the scenic shores of the Fraser River
Stellar sets from Aysanabee, Hazlett, and Sahra Halgan got the 49th annual fest off to a great start, and the weather certainly didn’t hurt
Conducted by Jacques Lacombe, free outdoor concert goes Italian with a team of strong soloists
Performing at the Eastside Arts Festival, the indie-rock band says it has no intention of being pegged as strictly a ’90s throwback
The American singer-songwriter plays rock ’n’ roll, blues, folk, gospel, and country, along with well-chosen cover versions of songs by Nick Cave, Gillian Welch, and Duran Duran
The Ukrainian-born performer distills influences from Slavic folk to jazz and R&B into her music, as heard on her solo debut, Kyiv Soul
The Vancouver Folk Music Festival performer also tells us about his kick-ass band and the pressure he has put on himself as an award-winning recording artist
Intellectual-property disputes behind it, the project formerly known as Computer plays the Burrard Stage at this year’s Khatsahlano Street Party
For Tarun Nayar’s performance at VanDusen Botanical Garden, the festival invites attendees to settle in picnic-style and get into a meditative headspace
The Indian Summer Festival performer, who has collaborated with Major Lazer and contributed to Bollywood soundtracks, has forged some creative links to Canada’s West Coast
Vancouver Symphony Orchestra moves its wildly popular, free outdoor concert to David Lam Park this year
Hawksley Workman, plus mesmerizing cultural melds from El Balcón, Benin International Musical, and more
Headlining the Khatsahlano Street Party’s Burrard Stage, the fast-rising band is unafraid to spice up its surf-inspired indie rock with country, funk, and Latin elements
From Cloverdale to West Vancouver and all points in between, festivities span live music, drumming, kids’ activities, and no shortage of national pride
Violinist and guest director Rachel Podger performs alongside the Pacific Baroque Orchestra
Indie-rockers Uncle Strut, post-punk stars Concrete Vehicles, and soul powerhouse Leo D.E Johnson are among the talents hitting the Burrard Stage
The singer and guitarist makes music that veers from lushly orchestrated American to wildly experimental free-jazz improv
The Newfoundland-born, Vancouver-based percussionist and scholar brings influences from Africa and South Asia to his musical explorations
