Elektra announces search for new artistic director
Current leader Morna Edmundson will be departing after the 2024-25 season and 38 years with the organization
Elektra Women’s Choir.
THERE’S AN EXCITING job opportunity out there for someone who wants to continue the legacy of a leading local musical organization. Elektra has announced its search for a new artistic director, with current leader Morna Edmundson departing after the 2024-25 season.
Edmundson cofounded the celebrated 45-member treble-voiced volunteer choir in 1987 with Diane Loomer. During her time as artistic director, which began in 2009, Elektra has commissioned more than 120 works and released 17 CDs, many featuring first recordings of Canadian compositions, and launched a YouTube channel.
According to Elektra’s website, the group is seeking someone who “gets” Elektra, who understands and appreciates the legacy that Edmundson has created. The ideal candidate, who will start a transition period in April 2025 and take over fully in July, holds a master’s of music degree or equivalent experience and has comprehensive knowledge of the Canadian choir and composer landscapes, a background in leading adult treble ensembles, and a conviction for maintaining strong connections within the choral community across Canada and beyond.
The role also entails developing programming that spans historic and new repertoire and recruiting the right voices to add to the group as required. The new artistic director will also have a strong grasp of budgets and grant planning, working within a three-year strategic plan.
The part-time contractual position allows the successful candidate to hold other paid positions.
Morna Edmundson.
Edmundson’s farewell 38th season kicks off with The Light of Hope Returning (November 30 and December 1 at Vancouver’s Pacific Spirit United Church), composer Shawn Kirchner’s American folk solstice oratorio; it features original video projections by Syrian-American artist Kevork Mourad, who has collaborated with the likes of Yo-Yo Ma. (See Stir’s feature on The Light of Hope Returning here.) That’s followed by The Lost Words: A Spell Book (March 8 and 9, 2025 at Pacific Spirit United Church), which is inspired by the bestselling book of the same name by Robert Macfarlane and Jackie Morris. It features works by 10 Canadian composers, the accompaniment of six instrumentalists, and watercolour projections; the performance also sees local actor Laara Sadiq doing spoken word for each spell. (Stir previewed the work when it premiered in Vancouver in 2022; see story here.) Bringing the season to a close is Legacy (May 25, 2025 at Surrey’s Church of the Good Shepherd and May 31, 2025 at Vancouver’s Christ Church Cathedral), a concert featuring Edmundson’s “desert island playlist” of Canadian works drawn from nearly four decades of Elektra commissions. The performance also features premieres of brand-new works by Laura Hawley, Cassie Luftspring, and Tawnie Olson.
Elektra also runs community engagement programs, which mentor the next generation of youth and adult singers, conductors, and composers.
Edmundson has acquired an honourary degree from UBC and has degrees and diplomas in vocal music from Vancouver, Bellingham, and Stockholm. She has adjudicated across North America and Asia, conducted honour choirs throughout the U.S., and codirected the American Choral Directors Association National Women’s Honour Choir.
Formerly associate AD of Coastal Sound Music Academy, Edmundson has also received a BC Community Achievement Award and a Vancouver YWCA Women of Distinction award in recognition of her work. She has served as a board member of Chorus America and in 2020 joined the board of Choral Canada as its president elect. ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
Tribute to one of Canada’s most important large-jazz ensemble vocalists stars two Vancouver greats
Stops include a three-night residency at Austria’s Salzburg Easter Festival, as well as Croatia, Slovenia, Liechtenstein, and Germany
Among the 28-year-old’s recent achievements is winning the Terence Judd-Hallé Award for young pianists on the cusp of international fame
The Winnipeg artist brings experience as a tenor to a Mozart opera reimagined in a 1930s Rockies resort, complete with Mounties and log drivers
Romance, deception, and mistaken identities abound in Gioachino Rossini’s beloved comic masterpiece
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Han-Na Chang conducts Beethoven’s revolutionary Third Symphony
The renowned theatre artist and composer offers a stirring collection of tunes from acclaimed shows such as Children of God and Starwalker
Long-time UBC and CapU faculty member puts on a show featuring dozens of local musicians, plus vocalists Dawn Pemberton and Khari McClelland
The Winnipeg-based artist looks forward to onstage exchanges with diverse musical peers on International Guitar Night
Event hosted by Michael van den Bos features Hollywood film projections and live music by the Laura Crema Sextet
Sonic architecture of Winnipeg’s AO Roberts explores the interplay of performance, installation, and layered auditory experiences
Collaborating with vocalists taught the acclaimed, formerly all-instrumental group new ways of listening and working
Rarely presented in Vancouver, the production blends musical theatre and opera with a philosophically rooted storyline
The adventurous artist sees his upcoming program with Vetta Chamber Music as a way of expressing music’s power to console and cheer, even in dark times
Hosted by the Cellar Music Group at the Shadbolt Centre, festival opens with a special concert by the Vancouver Jazz Orchestra with Champian Fulton and Klas Lindquist
Five emerging conductors lead a program of pieces by both Canadian and American composers, from Amy Beach to Stuart Beatch
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Productions that “push” forms include dance works that play with props and stereotypes, as well as ethereal odes to nature and the northern lights
Musician rises to the challenge of Brahms’s sole Violin Concerto on program that also features guest conductor Han-Na Chang
Under the inspiring title I Fall, I Rise, the concert also features the Focus post-secondary choir and winners of the Young Composers’ Competition
Aleksi Campagne, Bagatelle, Nicolas Pellerin et les Grands Hurleurs, and the Jocelyn Pettit Band are among offerings at celebration of Maillardville’s francophone roots
Annual fundraiser features a romantic piano recital by Leslie Dala, along with wine, chocolate, and optional charcuterie
Bruno Allary leads the Marseille, France–based Compagnie Rassegna as it plays songs from Sicily, Spain, Western Algeria, and Occitania
Big bands play West African music with guests Dawn Pemberton, Khari McClelland, and others
At the Kay Meek Arts Centre, Nova Scotian siblings blend old Celtic sounds with new influences
The intimate event takes place at VisualSpace Gallery on Dunbar Street, where an exhibition called Seasons is on view
Copresentation by Music on Main, PuSh Festival, and Chan Centre features Inuit throat singers in new performance language
With innovative materials and approaches, Nicole Alosinac, Paul Pigat, and Warren Murfitt retune a classic design that has defined music for decades
At the Chan Centre, the life partners offer songs and stories from their forthcoming album Laughter in Summer
