Firehall Arts Centre presents existential dance-theatre show Vacant Lot, October 22 to 25
Production by award-winning artist Hiromoto Ida follows a married couple that visits the empty site of their old home
Lindsay Clague (left) and Hiromoto Ida in Vacant Lot. Photo by Carlo Alcos
The Firehall Arts Centre is launching its 2025-26 season with Vacant Lot by Nelson-based choreographer, director, and Screen Actors Guild Award–winning artist Hiromoto Ida from October 22 to 25.
Based on the contemporary Japanese play SARACHI by Shogo Ota, the dance-theatre production follows a long-married couple that visits the vacant lot where their house once stood. They innocently share memories of their house, kids, and life together, soon realizing how short this life is and that existence in the universe is fragile.
Lindsay Clague and Ida embody the married couple, telling the story through movement, dialogue, and at times, stillness. This work reveals the loneliness of human existence and people’s longing to connect to each other and to the universe.
While Vacant Lot’s overarching themes are existential, the production also celebrates the ordinary, undocumented moments in everyday life with vibrant humour.
For tickets and more information, visit the Firehall Arts Centre.
Post sponsored by Firehall Arts Centre.
Related Articles
The local French-language theatre company will present everything from a live video game to an emotionally intense two-hander based on a Virginia Woolf masterpiece
A staged reading of Carol Shields and Dave Williamson‘s comedy takes a sharp look at life and love in middle-class suburbia
In playwright-performer Christina Cook’s new show, reality-bending correspondence plays out across a stage loosely divided between the three generations of women
Majid Tafreshi’s play intertwines Nezami Ganjavi’s 12th-century poetry with the lives of contemporary theatre actors
Christopher King directs the Tony Award–winning musical comedy about a college grad finding his way in the world
A new dance work by Kirsten Wicklund and Peter Smida, the world premiere of a musical, and more round out the lineup
Short works by D/disability-identified artists offer compelling stories, from a literally spirited cabaret to the time-spanning medical office of Anton Chekhov
Singer Krystle Dos Santos and her band celebrate the record label that brought us legendary performers including Aretha Franklin and Marvin Gaye
One-man show by Amsterdam-based Palestinian artist Alaa Shehada had already been postponed from last spring due to processing holdups
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
