Juliet: A Revenge Comedy returns to the local stage, December 4 to 8
Kay Meek Arts Centre hosts the celebrated play that sends up Shakespeare by Pippa Mackie and Ryan Gladstone
Lili Beaudoin (left) and Carly Pokoradi in Juliet: A Revenge Comedy. Photo by Peyton Mott
Kay Meek Arts Centre presents Juliet: A Revenge Comedy from December 4 to 8 at McEwen Theatre
WHAT IF JULIET decided not to die? This is a central question in Juliet: A Revenge Comedy, a hit play co-written by Pippa Mackie and Ryan Gladstone running at the Kay Meek Arts Centre from December 4 to 8.
A send-up of Shakespeare classics, the story sees the titular character (played by Lili Beaudoin) break out of an endless loop of turning a dagger on herself in search of a reason for her tragic demise. She winds up recruiting some of the author’s most famous, and similarly doomed, female characters to help her break the cycle—think Ophelia, Lady Macbeth, Cleopatra, and Miranda. Gladstone plays the Bard himself, pursuing his heroines before they subvert his canon. Carly Pokoradi plays some 20-plus characters, including Romeo, Lady Macbeth, and Ophelia.
The work has gone from Fringe festival favourite to Jessie Award–winning play.
“We sold out the first-ever show we did,” Mackie told Stir earlier this year. “So we had nothing to back it off of, and it’s just been touring the country in a similar fashion ever since. Like, we just want to have fun and make people laugh and take the piss out of Shakespeare a little bit.
“This character in particular is so culturally relevant to people,” Mackie added of Juliet. “She’s either the character you want to play out of theatre school, or you want to do her monologue. You know, it’s like the greatest love story of all time. But when you actually kind of look at the facts, it was not so romantic. It was kind of ridiculous. And really, to us, it was very funny. She’s only 13!”
Stir reviewed the show when it ran this past winter at The Cultch, noting “Embracing both the absurd and the profound, the production’s simple, smart setup and upbeat feel hit the sweet spot of being witty without the show getting too cynical or full of itself.” ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
Gender-bending Arts Club production of Gordon Greenberg and Steve Rosen’s gothic comedy includes plenty of absurd humour and one perfectly cast vampire
Playwright Ronit Rubinstein’s solo show delves into her relationship with her late father through objects and memories he left behind
Four-time Tony Award–winning rock musical takes audiences on a wild ride through themes of identity, heartbreak, and belonging
In new Electric Company Theatre play, premiering at the Downtown Eastside Heart of the City Festival, real grief over his sister mixes with fictional elements and age-old myth
The touring production returns to Vancouver after seven years, featuring a 14-metre rain curtain and giant treadmills powered by 28 car batteries
This time out, the Nunsense sisters produce a chaotic Christmas special for cable-access television
Willow Lewmos directs the darkly comedic solo show as part of the Downtown Eastside Heart of the City Festival
Immersive theatre experience arrives just in time for spooky season, featuring freaky performances and mischievous sewer rats
With plenty of laughter, improv-comedy veterans Naomi Snieckus and Matt Baram candidly explore loss and how we attach meaning to objects
Award-winning filmmaker discusses his mission to highlight the unmatched diversity of wild cats in India
Actor Steffanie Davis plays three roles in the Arts Club production, including the gleefully unhinged, bug-munching Renfield
Keely Rois O’Brien’s season opener at Gateway Theatre has a simple message: if you don’t know how to say it, say it with cake
Governor General Award–winning play about a father and daughter tells of loss and redemption, humanity, and survival
Riddled with language barriers and discrimination, the rice & beans theatre and Gokko Creative Society production grapples with the possibility of unity and acceptance
In a comedy by North Vancouver’s Peter Zednik, exes rekindle their connection, exploring what it means to come out of the closet at any age—and at any cost
Upintheair Theatre stages its latest installment, with What Lab, of a project that challenges local artists to respond to timely topics in science, nature, and astrophysics
A patchwork wall of TV screens, fun nods to found-footage horror, and other genre touches heighten allegorical messages of queer self-acceptance in Touchstone Theatre and Glitch Theatre show
At Anvil Theatre, Sasha Wilson’s play examines the story of accused killer and “folk villain” Lizzie Borden through drama, humour, and murder ballads
In this rollicking production, a chiseled hero must save the city from the scheming God of the No-Fun-Derworld
Maryth Gilroy and Karen Hamm direct Pulitzer Prize–winning playwright Donald Margulies’s drama at the Jericho Arts Centre
The two-hander starring real-life married couple Matt Baram and Naomi Snieckus takes a comedic look at the things we choose to keep and why
Rumble Theatre and ITSAZOO coproduction digs into Succession writer Lucy Prebble’s critically acclaimed play as it builds unease along with the dosage
Tony and Grammy Award–winning actor shares deeply personal, politically urgent, and darkly funny performance and conversation
Showcase of sci-fi and experimental theatre features performances by Jarin Schexnider, Plastik Theatriks, and more
At The Cultch, strong acting and a sharp script that’s packed with memorable lines give life to a play that’s hit an intergenerational nerve
Winner of the 2023 Pulitzer Prize, this quietly powerful play explores cultural displacement with warmth, humour, and piercing insight
