B3 Kings play funky jazz arrangements of Christmas classics at the Shadbolt, December 20 and 21
Helmed by Cory Weeds, the quartet characterized by the Hammond B3 organ has been hosting holiday shows since 2002
B3 Kings saxophonist Cory Weeds. Photo by Andrew Gerard
Shadbolt Centre for the Arts presents the B3 Kings on December 20 at 7:30 pm and December 21 at 2 pm and 7:30 pm
IN 2002, CELLAR Jazz Club founder Cory Weeds brought together a group of musicians to perform a Christmas concert at his underground jazz venue in Kitsilano, which unfortunately closed its doors in 2014. The crowd went wild for the show, so much so that it became an annual holiday tradition at the club.
Though the B3 Kings haven’t been performing as regularly in recent years, this season they have three shows in store for audiences at the Shadbolt Centre for the Arts on December 20 and 21. The group consists of tenor-saxophonist Weeds (who has been running the successful Cellar Music Group label since his club closed), organist Chris Gestrin, guitarist Bill Coon, and vocalist-drummer Denzal Sinclaire.
The B3 Kings get their name from the Hammond B3 organ, which is a brand of electric organ originally created back in the 1930s as a smaller and lower-cost alternative to the hefty pipe organs that were most frequently found in churches. Jazz musicians began gravitating toward this more accessible variation of the instrument, and greats like Duke Ellington and Fats Waller pioneered its use in the genre.
Played by Gestrin, the Hammond B3 organ gives the B3 Kings an undeniable funky sound to work with. Gestrin is also the mind behind the catchy jazz arrangements of Christmas classics that audiences will be treated to at the upcoming cabaret-style concerts in Burnaby. There will be two evening performances and one matinee. ![]()
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
Pianist Philip Chiu stretches his skills as one of the acclaimed quartet’s newest members, appearing at the Chan Centre
Traditions of Scotland and Ireland also pervade the quartet’s high-energy music
Ahead of her Basant Ke Rang concert at the Shadbolt Centre for the Arts, the artist talks about the celebration of spring, her three-octave voice, and her role as a woman in a male-dominated art form
Piece drawing on the poetry of wildfire survivor Meghan Fandrich makes its world premiere on Elektra’s choral-driven program If the Earth Could Sing
Evening also includes performances by M’Girl and Kiki Connelly & the Understory
Veteran Canadian singer and emerging Nigerian-born talent perform tunes by Aretha Franklin, Elton John, Whitney Houston, and more
Romanian jazz virtuoso blends Roma tradition with klezmer, Middle Eastern, and European sounds
Renowned percussionist Vern Griffiths and a group of musical luminaries take on the groundbreaking 1976 piece in celebration of Music on Main’s 20th anniversary
Celebrating jazz group’s release of Whisky Scented Kisses, singer has largely set aside her signature ukulele in favour of an intense focus on songwriting
Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance
Toronto-based artist is known for her prowess as a saxophonist and creative music collaborations
Composer and conductor Steve Hackman has no fear of crossing stylistic boundaries
At a July 20 concert, faculty lead Mark Vuorinen directs Where Wildness Lives by renowned B.C. composer Imant Raminsh
Tracks off the pair’s Juno-nominated 2024 album Confluencias trace the music traditions of Spain and India
Music director emeritus Jonathan Darlington returns to conduct this Parisian love story tested by the bittersweet passage of time
Award-winning artists reclaim Arctic sounds with soaring vocals
Although from different points on the map, pianist Omar Sosa, kora player Seckou Keita, and percussionist Gustavo Ovalles realized through improvisation that they were attuned to one another
Internationally acclaimed Hindustani classical vocalist is joined by harmonium player Mohan Bhide and tabla player Sunny Matharu
Steven Isserlis, James Ehnes, and Augustin Hadelich among the soloists hitting the concert stage
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
At a concert called A Look to the Future, the piece shares a program with works by John Rutter, Jocelyn Morlock, and Tchaikovsky
