Vancouver International Black Film Festival announces fourth-annual edition, December 13 to 17
Highlights include Matthew Leutwyler’s Fight Like a Girl on opening night, Being Black In Canada short-film series, VIBFF Black Market, and more
Fight Like a Girl.
After three successful editions, the Vancouver International Black Film Festival is back for a fourth year of amplifying Black voices in person and online from December 13 to 17.
Founded by the Fabienne Colas Foundation and co-presented by Global BC, VIBFF has just announced its official hybrid program and events lineup. Screenings and events will take place at the VIFF Centre’s Vancity Theatre and Studio Theatre.
This fourth edition of the festival features 35 films, along with a series of engaging panels, workshops, and events designed to connect with audiences from all communities. VIBFF celebrates the talent of creators from diverse backgrounds and provides a space for them to share their stories while reflecting on the challenges they face.
The opening night on December 13 at 7 pm will be a star-studded red-carpet event that opens with Matthew Leutwyler’s powerful film Fight Like a Girl (available only in person), which is based on a true story. After escaping captivity in an illegal mineral mine, a young Congolese woman rebuilds her life by joining a renowned all-women boxing club in the border city of Goma, where she discovers resilience, community, and the strength to reclaim her future.
La Hembrita (Baby Girl).
More highlights for this edition of the festival include the Fabienne Colas Foundation’s award-winning Being Black In Canada short-film series, the VIBFF Black Market, and special in-person screenings of Fight Like A Girl, La Hembrita (Baby Girl), and Sway.
The #VIBFF24 All Access Online Pass gives access to the entirety of the event’s online film programming and can be purchased on the festival’s website for $45 (plus taxes and fees). The All Access In-Person Pass gives access to in-person film programming and can be purchased on the festival’s website for $39 (plus taxes and fees). In-person single tickets for films are available for $12, with the exception of the opening night film, which is $20. Both can be purchased on the festival’s website.
The Vancouver International Black Film Festival is supported by Canadian Heritage, the Government of British Columbia, and the Festwave Institute.
For tickets and more information on all the happenings, visit VIBFF.
Post sponsored by Vancouver International Black Film Festival.
Sway.
Related Articles
This year’s series features al fresco screenings of top-tier sports films, from Shaolin Soccer to A League of Their Own
Amid small miracles, and also tragedies, Deanna Milligan and Ramsey Fendall conjured analogue, ’90s-era strangeness by adopting the spirit of a community art project
The theatre’s organ was installed in 1927—the same year Alfred Hitchcock released his first thriller, about a Jack the Ripper–esque killer
Retrospective unites the late British filmmaker’s feature-length works, including A Quiet Passion and Distant Voices, Still Lives
Short film poetically remembers a Black woman from an old photograph
With influences including Hideaki Anno and Alfred Hitchcock, debut feature by Surrey-raised director builds uncanny atmosphere as a quiet young woman points her camera into neighbours’ windows
Illustrated Legacies: Graveyard of the Pacific wins Nigel Moore Award; And the Fish Fly Above Our Heads و الأسماك تطير فوق رؤوسنا named best feature
Down-and-out buddies follow the randomness of life in evocatively shot Italian film by Francesco Sossai
At the VIFF Centre, debut feature by fast-rising filmmaker splices past and present in a powerful story that is part time-travel fiction, part nostalgic vision of ’90s Vancouver Island
The poignant film focuses on Vancouver singer-songwriter Cassidy Waring as she delves into an unresolved family tragedy
Without Fear, Early Cranes, and The Touch offer perspectives on preserving cultural identity amid hardship
Local duo’s live score to Carl Theodor Dreyer’s 1928 historical drama employed drones and dissonance to evocative effect
Koos van Nieuwkoop plays the historic Wurlitzer organ live to Alfred Hitchcock's 1927 thriller
Recipients were unveiled during a ceremony at Landmark Cinemas Guildford
Idyllic meditations, sharp investigations, and deeply personal questions arise in our quick takes on Green Valley, The Sandbox, There Are No Words, Numakage Public Pool, and Replica
The musical duo of Simon Dobbs and Jon McGovern found scoring Carl Theodor Dreyer’s 1928 film a more daunting prospect than they anticipated
Documentary by Eileen Francis and Evan Adams looks at the Tla’amin Nation’s efforts to change the contentious name of the city of Powell River
Contemplative new work by acclaimed filmmakers Jessica Johnson and Ryan Ermacora explores imperfect balance between an ancient, shifting ecosystem and a Cortes Island community of oyster farmers
In the National Film Board documentary making its local premiere at the DOXA Documentary Film Festival, Canadian director Kim Nguyen traces the repercussions of an execution photo through the decades
“Egg Yolk Custard Bun”, “Ramen Boys”, “It’s Not You”, and the feature Blood Lines contribute to a diverse and often playful program
A reed cutter tries to solve a murder in Academy Award submission for Best Foreign Language Film; plus documentaries and soccer as fest enters second installment
