Whimsy abounds in CTORA Theatre's James and the Giant Peach, to November 9
Roald Dahl’s story comes to life onstage with huge insect puppets designed by Amica Pasquale
James and the Giant Peach. Photo by Canna Zhou
CTORA Theatre presents Roald Dahl’s James and the Giant Peach from October 24 to November 9 on the Olympic Village Stage at the BMO Theatre Centre
IN THE ORCHARD of author Roald Dahl’s countryside home in Buckinghamshire, there was a cherry tree that caught his attention. He began to consider what might happen if one of the stonefruits it bore kept growing, and growing, and growing—and that thought planted the seed for his story James and the Giant Peach.
According to Penguin Books, Dahl went with a peach instead of a cherry because they’re simply “prettier, bigger, and squishier”. He must have made the right call, because more than six decades after its release, the story is as popular as ever. CTORA Theatre is staging it in musical form this fall; catch it on the Olympic Village Stage at the BMO Theatre Centre from October 24 to 29.
Young theatre artist Ryder MacInnes, who recently played a zany Ooma Loompa in Theatre Under the Stars’ Charlie and the Chocolate Factory, is starring as James. When the boy’s menacing aunts order him to chop down their old peach tree, they inadvertently send him on the adventure of a lifetime, as he finds a magic potion that creates one humongous peach. James finds himself at the centre of the stonefruit among a troupe of human-sized insects—a ladybug, spider, grasshopper, centipede, and earthworm—who must learn to work together when the peach falls off its tree and rolls into the ocean, eventually making its way to the top of the Empire State Building.
Amica Pasquale has designed larger-than-life insect puppets, from a creepy-crawly centipede to a majestic grasshopper with purple-satin eyes, to help the story jump off the page. Ensemble members Sophia Saugstad and Katrina Teitz will manoeuver them with the guidance of puppet coach Stephanie Elgersma. Director Chris Lam and musical director Peter Abando will be at the helm of the production, which features music by duo Pasek and Paul, book by Timothy Allen McDonald, and choreography by Nicole Rose Bond.
For folks who want to amp the whimsy up to the max, there will be a fun Halloween costume party before the show on October 31 at 7 pm. ![]()
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
Veteran actors Craig March and Dolores Drake play the young lovers in David French’s play, set in a Newfoundland outport 100 years ago
Arnaud Hoedt and Jérôme Piron look at linguistic absurdity and educational inequity in their hit shows La Convivialité and Kevin
