Tymisha Harris brings joie de vivre to a cabaret icon in Josephine, February 25 to March 1
Burlesque-infused biographical play tells of the legendary African-American performer’s wide-ranging accomplishments
Tymisha Harris in Josephine.
The Kay Meek Arts Centre presents Josephine from February 25 to March 1
WHEN CHARISMATIC PERFORMER Tymisha Harris brought her one-woman show Josephine to the Edinburgh Festival Fringe, audiences were in agreement that she packed star power.
City magazine in Rochester, New York, noted that Harris “fully embraces” the African-American icon Josephine Baker’s “energetic, carefree, and flirtatious spirit” with her “smooth, soulful voice”, and that she “shakes and shimmies across the stage with such joie de vivre.” A reviewer for Plays to See said she brings an “innocent courage to this firecracker woman” who was born in St. Louis in 1906 and captivated the jazz scene of 1920s Paris.
So it’s a delight that Harris will perform her off-Broadway hit in Vancouver from February 25 to March 1. The Kay Meek Arts Centre’s black-box McEwen Theatre is the perfect setting for this burlesque-cabaret play that traces the highlights of Baker’s life—from dancing at Paris’s storied Folies Bergère hall in a signature skirt made of rubber bananas, to becoming the first Black woman to star in a major motion picture (the silent film Siren of the Tropics), to aiding the French Resistance as a spy during the Second World War.
With the help of cocreator, director, and producer Michael Marinaccio, plus cocreator and music director Tod Kimbro, Harris emphasizes the glitz, glam, and determination that cemented Baker’s place in history.
Harris’s credits range from dancing onstage for NSYNC to performing in the film Bring It On: In It to Win It. As for Josephine, the production by Dynamite Lunchbox Entertainment debuted at the San Diego International Fringe Festival in 2016, where it won awards for outstanding solo performance and best show. It continues to wow audiences a decade later.
Josephine lands at the Kay Meek as part of a 10th anniversary Western Canada tour. The final stop is at Chilliwack’s HUB International Theatre on March 4. ![]()
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
Burlesque-infused biographical play tells of the legendary African-American performer’s wide-ranging accomplishments
Under director Jillian Keiley’s deft hands, the pacing stays airtight and the dry comedy never tips into full camp.
At The Cultch, removable limbs, retro TV shows, and absurd cabaret numbers about female madness frame a genuinely unsettling story of a grandmother’s institutionalization
The former head of Theatre, Music & Film at Arts Umbrella has worked across local stages and screens
At The Cultch’s Warrior Festival, award-winning two-hander presents a provocative scenario where a man tells a woman’s story
Production by Presentation House Theatre draws on Maurice Sendak’s beloved storybook
Dan Goggin’s popular production follows five nuns who must stage an emergency fundraiser after an unfortunate cooking accident
Samoan poet Grace Iwashita-Taylor describes working with accomplished director Fasitua Amosa to honour the stories, struggles, and joys of a vast and diverse region
Abrasive production by award-winning playwright Caroline Bélisle depicts the paralyzing anxiety that can come with motherhood
Tracey Power’s new show features songs by Joni Mitchell, Neil Young, Gordon Lightfoot, and other folk icons
The Arts Club and Theatre Calgary coproduction focuses on a disgruntled husband who plots to kill his wife when he finds out she’s cheating
Drawing on everything from absurd comedy to cabaret, Leah Shelton ties family tragedy to a system that still pathologizes women as “hysterical”, “high-strung”, or god forbid, “hormonal”
In The Cultch, PuSh Fest, and Live Biennale copresentation, technicolour visuals complemented Hazel Venzon’s larger-than-life energy in a ride that spoke directly to today’s global economy
At PuSh International Performing Arts Festival, the Creepy Boys duo who created and perform the show, want to make sure it’s about nothing, nothing, nothing, except fun, fun, fun
With strong performances and set design, Mark Crawford’s dramedy relives a marriage’s milestones on a lived-in cottage’s cosy front porch
The London-based performer reveals the struggle and growth behind the bold, disarming visions of their latest show, now on its way to PuSh Festival
In her show titled it is for when you meet me, the creator and performer explores what it means to give and receive through the Filipino tradition of pasalubong and balikbayan boxes
In this left-field comedy, the obsessive lead character is driven by the same perfectionism that her creator has learned to leave aside in life
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Sharp dialogue and restless energy, prodded on by the little irritations of married life, result in cozy yet unsettling laughs
Ahead of his Anvil Theatre show, the long-time cruise-line performer talks about dispelling childhood fears with lovable characters
