Elf: The Musical kicks off the holiday musical season, at the Stanley Industrial Alliance Stage, to December 31
Actor Andrew McNee plays the beloved cotton-headed ninny muggins in the Arts Club production
Elf: The Musical. Photo by David Cooper
Elf: The Musical runs until December 31 at the Stanley Industrial Alliance Stage
SON OF A NUTCRACKER! Elf: The Musical is here, with the Arts Club Theatre Company’s seasonal performance now running straight through the holidays.
If watching the New Line Cinema film written by David Berenbaum is a festive tradition in your home, you know classic lines like “This is Buddy; What’s your favourite colour?”, “Smiling’s my favourite!”, and “We elves try to stick to the four main food groups: candy, candy canes, candy corns, and syrup.”
Played by East Van Panto and Bard on the Beach favourite Andrew McNee, Buddy identifies as an elf, despite his oversized stature and the challenges he faces making toys. Once he learns that, in fact, he’s human and that his biological father lives in New York City, Santa (Tom Pickett) gives him permission to leave the North Pole and head to the Big Apple. He declares his love for his dad, Walter (Andrew Wheeler), even though his pops is on the naughty list, and eventually connects with his half-brother, Michael (Rickie Wang). And of course he falls in love, with a seasonal department-store worker named Jovie who has to dress like an elf and sings a mean carol (Eva Tavares ). (“So... Do you want to eat food?”)
Elf: The Musical is based on the book by Thomas Meehan and Bob Martin, after the beloved 2003 film, with music by Matthew Sklar and lyrics by Chad Beguelin. Catchy songs span the jazzy “Nobody Cares About Santa” and the ballad “I’ll Believe in You”. The musical has played to packed houses at theatres from London’s West End to Broadway, but this is the first time Vancouverites will get the chance to see it.
The Arts Club’s production features 19 cast members, including understudies, a 10-person children’s chorus, and eight musicians. Making up the musical ensemble are conductor Ken Cormier, Angus Kellett, Sasha Niechoda on keyboards; Martin Fisk on drums and percussion; trumpeter Henry Christian; Ingrid Stitt (reeds), trombonist Jim Hopson; and Ellen Marple (substitute trombone).
Special dates include Sunday Salon on November 12; Talkback Tuesday on November 21; and VocalEye Performances on December 3 and 8.
As Buddy would say, “Treat every day like Christmas.”.
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
