Jack Campbell's Sounding Bombe: Enigma Project draws on historic decoders, April 11 at Gallery 881
Science meets history in Vancouver violinist’s 50-minute piece of music for violin and found-sound
Jack Campbell. Photo by SD Holman
Sounding Bombe: Enigma Project is at Gallery 881 on April 11
FIRST, AS SO SUITS the music of Jack Campbell, a quick history lesson: The Enigma machine is an early-20th-century cipher device that Nazis employed extensively during the Second World War. Basically, it works via an electromechanical rotor mechanism that scrambles the letters of the alphabet.
The Bombe machine, on the other hand, was an electromechanical device that British cryptologists used to help decipher German Enigma-encrypted messages during the war.
And now Vancouver violinist Campbell has created music based on the mathematical calculations that the Allies famously used to crack the Enigma code.
Sounding Bombe: Enigma Project, a 50-minute piece of music for violin and found-sound, is the accumulation of five years of study and was written in collaboration with the National Museum of Computing in Bletchley, U.K. Think beautiful music meeting math, science, and history, plus, as Campbell has put it, “the human spirit’s resistance of evil and tyranny”.
On an even more complex level, the long-term project marks the intertwining of electromechanical computation and electro-acoustic composition. As Campbell has described in his notes for this week’s concert at Gallery 881, “you will slowly hear this encryption unravelled by the musical bombe, until at the end of the piece, we are left with the simple musical melody that was originally encrypted.” We won’t reveal what that melody is here; suffice it to say it was the favourite song of Alan Turing’s—the English mathematician and computer scientist who helped crack the Enigma code, of course. And did we mention that Turing was also a violinist?
Note that Campbell has adjusted the rotors, plugboard, and other encryption devices of the Enigma machine to the exact historical settings of October 18, 1944. In a further layer, Campbell says the musical form of this piece is that of an Agnus Dei‚ an ancient musical form that also happens to be the codename of the first Bombe machine.
The show here is part of a Canadian and U.K. tour. Vancouver company Belle Spirale Dance Projects will also join Campbell for the U.K. leg. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Stops include a three-night residency at Austria’s Salzburg Easter Festival, as well as Croatia, Slovenia, Liechtenstein, and Germany
Among the 28-year-old’s recent achievements is winning the Terence Judd-Hallé Award for young pianists on the cusp of international fame
The Winnipeg artist brings experience as a tenor to a Mozart opera reimagined in a 1930s Rockies resort, complete with Mounties and log drivers
Romance, deception, and mistaken identities abound in Gioachino Rossini’s beloved comic masterpiece
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Han-Na Chang conducts Beethoven’s revolutionary Third Symphony
The renowned theatre artist and composer offers a stirring collection of tunes from acclaimed shows such as Children of God and Starwalker
Long-time UBC and CapU faculty member puts on a show featuring dozens of local musicians, plus vocalists Dawn Pemberton and Khari McClelland
The Winnipeg-based artist looks forward to onstage exchanges with diverse musical peers on International Guitar Night
Event hosted by Michael van den Bos features Hollywood film projections and live music by the Laura Crema Sextet
Sonic architecture of Winnipeg’s AO Roberts explores the interplay of performance, installation, and layered auditory experiences
Collaborating with vocalists taught the acclaimed, formerly all-instrumental group new ways of listening and working
Rarely presented in Vancouver, the production blends musical theatre and opera with a philosophically rooted storyline
The adventurous artist sees his upcoming program with Vetta Chamber Music as a way of expressing music’s power to console and cheer, even in dark times
Hosted by the Cellar Music Group at the Shadbolt Centre, festival opens with a special concert by the Vancouver Jazz Orchestra with Champian Fulton and Klas Lindquist
Five emerging conductors lead a program of pieces by both Canadian and American composers, from Amy Beach to Stuart Beatch
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Productions that “push” forms include dance works that play with props and stereotypes, as well as ethereal odes to nature and the northern lights
Musician rises to the challenge of Brahms’s sole Violin Concerto on program that also features guest conductor Han-Na Chang
Under the inspiring title I Fall, I Rise, the concert also features the Focus post-secondary choir and winners of the Young Composers’ Competition
Aleksi Campagne, Bagatelle, Nicolas Pellerin et les Grands Hurleurs, and the Jocelyn Pettit Band are among offerings at celebration of Maillardville’s francophone roots
Annual fundraiser features a romantic piano recital by Leslie Dala, along with wine, chocolate, and optional charcuterie
Bruno Allary leads the Marseille, France–based Compagnie Rassegna as it plays songs from Sicily, Spain, Western Algeria, and Occitania
Big bands play West African music with guests Dawn Pemberton, Khari McClelland, and others
At the Kay Meek Arts Centre, Nova Scotian siblings blend old Celtic sounds with new influences
The intimate event takes place at VisualSpace Gallery on Dunbar Street, where an exhibition called Seasons is on view
Copresentation by Music on Main, PuSh Festival, and Chan Centre features Inuit throat singers in new performance language
With innovative materials and approaches, Nicole Alosinac, Paul Pigat, and Warren Murfitt retune a classic design that has defined music for decades
At the Chan Centre, the life partners offer songs and stories from their forthcoming album Laughter in Summer
Conductor David Robertson and pianist Orli Shaham also join forces for a John Adams piano concerto
