Jessie Richardson Theatre Awards are back after a two-year-plus pause
Among other shifts, the November 3 ceremony will hand out prizes for companies of three sizes: large, medium, and small
The Jessies will return to the Granville Island Stage where the awards got their early beginnings.
THEY’RE BACK: After a years-long hiatus, the Jessie Richardson Theatre Awards are back to mark 40 years on November 3.
The celebration of local theatre artistry at companies big, medium, and small will take place at the Granville Island Stage where some of the early ceremonies were held.
The last ceremony was put on hold after its online-only ceremony in 2022, citing a lack of engagement and involvement by the theatre community on its juries, committees, and board—particularly from diverse or underrepresented communities. The board had also suspended the awards during the 2020-21 pandemic year, due to closures of theatres.
In an acting president’s message in July, Jocelyn Pitsch outlined several new initiatives after lengthy community consultation. The awards now have three budgetary categories (large, medium, and small companies) instead of its former two, “in order to try and level the playing field between companies and ensure that early career artists or new companies and collectives can receive the professional boost that come from Jessie nominations and awards”, she said. It has also launched an inclusivity fund for jurors so they’re not prevented by financial barriers from seeing shows.
The Jessies’ nonprofit society had been formed in 1997 and took over the production of the awards ceremony from the Greater Vancouver Professional Theatre Alliance, who had presented it since the early 1980s.
This year’s ceremony, coproduced by Arturo Del Rio Bello and David C. Jones, will give awards for the 2024-25 season, with details out in coming weeks.
For full event information visit www.jessieawards.com. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
In DanceHouse and The Cultch copresentation, the Hungarian company is full of flowing bodies and rippling fabric
Sanaz Toossi’s play won the Pulitzer Prize for Drama in 2023 for its look at four students preparing for the TOEFL
Latinx theatre artist’s debut script unfolds across three worlds: Toronto, Antigua Guatemala, and a realm in which the immigration system functions like a game show
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Offerings range from storytelling event The Family Flame to dance parties, documentary screenings, drag performances, and more
The starkly moving show by the Czech Republic’s Archa Centre of Documentary Theatre recounts true stories of lives upended by the conflict
Production by Tracey Power transports audiences back to the time of coffeehouse open mics that nurtured musicians like Joni Mitchell and Leonard Cohen
Théâtre Gauche production probes into linguistic insecurities and the stigma of being a “bad francophone”
Romantic comedy set in 1960s New York City follows newlyweds navigating marriage, compromise, and the beautiful mess of learning how to live
Presented with the Shadbolt Centre for the Arts and Presentation House Theatre, Faly Mevamanana’s play centres on a cultural obsession with competition
Skilled Canadian ventriloquist has competed on America’s Got Talent and headlined with Disney Cruise Line for more than two decades
Ruby Slippers Theatre presentation features new works by Irene (Fan) Yi, Abi Padilla, Marcia Johnson, Alexandra Lainfiesta, and Sewit Eden Haile
Amir Hosseini directs the Blackout Art Society production about four Iranian adults preparing for an English proficiency exam
Playwright Mieko Ouchi’s story of one woman’s self-discovery in the Nevada Desert is rooted in her mother’s true story
Provocatively reimagined endings to opera and Shakespeare were among the random scenes that stuck with us from the year onstage
Whether you’re into show tunes or funk, improv comedy or acrobatics, you’re sure to find your own way of welcoming 2026 with the help of Vancouver’s arts companies and venues
James & Jamesy’s family-friendly show sails through a series of slapstick and sometimes surreal journeys
Set to a soundtrack of Broadway showtunes and Christmas songs, production features a standout performance from Victor Hunter as grand dame
When a Prime Minister’s assistant’s romantic hotel rendez-vous is interrupted, a host of hilariously chaotic misunderstandings ensue
Annual holiday variety show hosted by founder Ron Reed wraps up the company’s programming for the foreseeable future
Energized title-role performance by Azaleah Korn leads an ensemble with a gift for the physical comedy and classic song-and-dance numbers of this beloved musical
Christmas With the Marches welcomes viewers into the famous sisters’ home for the holidays, while A Christmas Carol animates the Victorian setting with coloured lights and projections
And did we mention the live dogs playing Sandy?
Portrayals of the classic novel’s famously lively siblings shine brightest when all four are together onstage, capturing love for one another in quiet gestures
Colleen Wheeler and Moya O’Connell have gathered a crack team of actors for micro-sized Shakespearean shows at the City Centre Artist Lodge—and this is only the beginning
With audiences supplying the laugh track, the days of “Must-See TV” return in a different form every night, with heartfelt moments arising among hilarious period-correct details
Theatre Replacement’s nearly sold-out holiday tradition continues at The Cultch’s York Theatre to January 11
