Nancy Tam moults translucent skins from dawn till dusk in ...wreckage upon wreckage..., December 2 and 3
A Wake of Vultures interdisciplinary show presented by Vancouver Asian Canadian Theatre explores themes of the past and future
...wreckage upon wreckage...
Vancouver Asian Canadian Theatre and A Wake of Vultures present Nancy Tam’s …wreckage upon wreckage… at Morrow from 7:47 am to 4:16 pm on December 2, and from 7:49 am to 4:15 pm on December 3
WHAT MIGHT IT look like if a human were to moult its skin? Nancy Tam answers that unsettling question in a remount of …wreckage upon wreckage…, her day-long interdisciplinary performance with A Wake of Vultures.
From sunrise to sunset, Tam wraps her body in cling film and tape until she is fully encased, and then moults the translucent human-shaped chrysalis, leaving it behind as she evolves. Repeating the process throughout the day while audiences come and go as they please, Tam prompts reflections on letting go of the past and progressing into the future.
Presented by Vancouver Asian Canadian Theatre, …wreckage upon wreckage… is accompanied by an immersive soundscape from Tam and composer Charlie Cooper. The performance, which takes place at Dumb Instrument Dance’s creative space Morrow, features additional contributions from AI designer Paul Paroczai and AI consultant Kivanç Tatar.
Nancy Tam. Photo by Sewari Campillo
“I first saw ...wreckage upon wreckage... almost a decade ago when I was an emerging artist,” says Derek Chan, Vancouver Asian Canadian Theatre’s managing artistic director, in a release. “It might even have been my first experience of Nancy’s expansive body of interdisciplinary artistic work. The mesmerizing, oscillating tension and harmony between past, present, and future that exist within this durational, accumulative, transformational piece stuck with me for a long time.”
Tam is a Hong Kong-born sound and performance artist that works across multi-channel audio and musical compositions to create art that leans into rigorous dramatics. She is a founding member of the interdisciplinary performance company A Wake of Vultures alongside Daniel O’Shea and Conor Wylie.
Tam is also a member of the Five Blessings Collective with Chan, Robyn Jacob, Jasmine Chen, and Howard Dai. Check out Stir’s feature on Tam in our 2023 Fall Arts Guide to learn more about the projects she has in the works.
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
The company has plans for a captivating array of shows, from high-profile hits like Stuart Little to the moving true-life tale of Jordan, A Hero’s Journey Home
Musical comedy by Dan Goggin stars five nuns on a money-making mission
Burlesque-infused biographical play tells of the legendary African-American performer’s wide-ranging accomplishments
Under director Jillian Keiley’s deft hands, the pacing stays airtight and the dry comedy never tips into full camp.
At The Cultch, removable limbs, retro TV shows, and absurd cabaret numbers about female madness frame a genuinely unsettling story of a grandmother’s institutionalization
The former head of Theatre, Music & Film at Arts Umbrella has worked across local stages and screens
At The Cultch’s Warrior Festival, award-winning two-hander presents a provocative scenario where a man tells a woman’s story
Production by Presentation House Theatre draws on Maurice Sendak’s beloved storybook
Dan Goggin’s popular production follows five nuns who must stage an emergency fundraiser after an unfortunate cooking accident
