Nancy Tam moults translucent skins from dawn till dusk in ...wreckage upon wreckage..., December 2 and 3
A Wake of Vultures interdisciplinary show presented by Vancouver Asian Canadian Theatre explores themes of the past and future
...wreckage upon wreckage...
Vancouver Asian Canadian Theatre and A Wake of Vultures present Nancy Tam’s …wreckage upon wreckage… at Morrow from 7:47 am to 4:16 pm on December 2, and from 7:49 am to 4:15 pm on December 3
WHAT MIGHT IT look like if a human were to moult its skin? Nancy Tam answers that unsettling question in a remount of …wreckage upon wreckage…, her day-long interdisciplinary performance with A Wake of Vultures.
From sunrise to sunset, Tam wraps her body in cling film and tape until she is fully encased, and then moults the translucent human-shaped chrysalis, leaving it behind as she evolves. Repeating the process throughout the day while audiences come and go as they please, Tam prompts reflections on letting go of the past and progressing into the future.
Presented by Vancouver Asian Canadian Theatre, …wreckage upon wreckage… is accompanied by an immersive soundscape from Tam and composer Charlie Cooper. The performance, which takes place at Dumb Instrument Dance’s creative space Morrow, features additional contributions from AI designer Paul Paroczai and AI consultant Kivanç Tatar.
Nancy Tam. Photo by Sewari Campillo
“I first saw ...wreckage upon wreckage... almost a decade ago when I was an emerging artist,” says Derek Chan, Vancouver Asian Canadian Theatre’s managing artistic director, in a release. “It might even have been my first experience of Nancy’s expansive body of interdisciplinary artistic work. The mesmerizing, oscillating tension and harmony between past, present, and future that exist within this durational, accumulative, transformational piece stuck with me for a long time.”
Tam is a Hong Kong-born sound and performance artist that works across multi-channel audio and musical compositions to create art that leans into rigorous dramatics. She is a founding member of the interdisciplinary performance company A Wake of Vultures alongside Daniel O’Shea and Conor Wylie.
Tam is also a member of the Five Blessings Collective with Chan, Robyn Jacob, Jasmine Chen, and Howard Dai. Check out Stir’s feature on Tam in our 2023 Fall Arts Guide to learn more about the projects she has in the works.
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
In this left-field comedy, the obsessive lead character is driven by the same perfectionism that her creator has learned to leave aside in life
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Sharp dialogue and restless energy, prodded on by the little irritations of married life, result in cozy yet unsettling laughs
Ahead of his Anvil Theatre show, the long-time cruise-line performer talks about dispelling childhood fears with lovable characters
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
Sanaz Toossi’s play won the Pulitzer Prize for Drama in 2023 for its look at four students preparing for the TOEFL
Latinx theatre artist’s debut script unfolds across three worlds: Toronto, Antigua Guatemala, and a realm in which the immigration system functions like a game show
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Offerings range from storytelling event The Family Flame to dance parties, documentary screenings, drag performances, and more
The starkly moving show by the Czech Republic’s Archa Centre of Documentary Theatre recounts true stories of lives upended by the conflict
Production by Tracey Power transports audiences back to the time of coffeehouse open mics that nurtured musicians like Joni Mitchell and Leonard Cohen
Théâtre Gauche production probes into linguistic insecurities and the stigma of being a “bad francophone”
Romantic comedy set in 1960s New York City follows newlyweds navigating marriage, compromise, and the beautiful mess of learning how to live
Presented with the Shadbolt Centre for the Arts and Presentation House Theatre, Faly Mevamanana’s play centres on a cultural obsession with competition
Skilled Canadian ventriloquist has competed on America’s Got Talent and headlined with Disney Cruise Line for more than two decades
Ruby Slippers Theatre presentation features new works by Irene (Fan) Yi, Abi Padilla, Marcia Johnson, Alexandra Lainfiesta, and Sewit Eden Haile
Amir Hosseini directs the Blackout Art Society production about four Iranian adults preparing for an English proficiency exam
Playwright Mieko Ouchi’s story of one woman’s self-discovery in the Nevada Desert is rooted in her mother’s true story
Provocatively reimagined endings to opera and Shakespeare were among the random scenes that stuck with us from the year onstage
Whether you’re into show tunes or funk, improv comedy or acrobatics, you’re sure to find your own way of welcoming 2026 with the help of Vancouver’s arts companies and venues
James & Jamesy’s family-friendly show sails through a series of slapstick and sometimes surreal journeys
Set to a soundtrack of Broadway showtunes and Christmas songs, production features a standout performance from Victor Hunter as grand dame
When a Prime Minister’s assistant’s romantic hotel rendez-vous is interrupted, a host of hilariously chaotic misunderstandings ensue
Annual holiday variety show hosted by founder Ron Reed wraps up the company’s programming for the foreseeable future
Energized title-role performance by Azaleah Korn leads an ensemble with a gift for the physical comedy and classic song-and-dance numbers of this beloved musical
Christmas With the Marches welcomes viewers into the famous sisters’ home for the holidays, while A Christmas Carol animates the Victorian setting with coloured lights and projections
And did we mention the live dogs playing Sandy?
Portrayals of the classic novel’s famously lively siblings shine brightest when all four are together onstage, capturing love for one another in quiet gestures
Colleen Wheeler and Moya O’Connell have gathered a crack team of actors for micro-sized Shakespearean shows at the City Centre Artist Lodge—and this is only the beginning
With audiences supplying the laugh track, the days of “Must-See TV” return in a different form every night, with heartfelt moments arising among hilarious period-correct details
