Another Body takes a chilling look at deepfake technology, at the Cinematheque November 15
Following one engineering student’s experience, the documentary takes a close look at the personal fallout from the growing form of online harrassment
Another Body screens at the Cinematheque on November 15 at 7 pm, with a post-screening discussion with Dr. Jason Winters, Dr. Carolin Klein, Honourable Niki Sharma, Attorney General of British Columbia, and (via Zoom) Another Body co-director Reuben Hamlyn
HERE’S AN ETHICAL conundrum: how do you make a documentary about someone whose life has been turned upside down by deepfake technology—to be specific, whose face has been digitally pasted to the bodies of numerous porn stars? If you film and identify the person, you risk making their situation worse.
In the case of the fascinating and chilling new documentary Another Body, seeing its world premiere at the Cinematheque, the answer is simple: you use that same technology to protect the person’s identity. That allows filmmakers Sophie Compton and Reuben Hamlyn to capture the personal side of a fast-growing corner of the internet.
“Taylor Klein” is an engineering student who takes matters into her own hands when police find themselves unable to protect her from an anonymous bully who’s been attaching her face, and all her identifying details (her school, her hometown) on Pornhub and elsewhere. Working with a friend who’s also been victimized, she begins her own investigation into who from their past could be terrorizing them from the shadows. And what she finds, sadly, is a vast, creepy underground culture of misogynists who share how-tos on deepfake technology—and even take on paid commissions from others. As you might expect, the women’s presence in a male-dominated field plays into the mystery.
The film makes it clear the law has much catching-up to do with a weapon of pornography that’s already wreaking havoc; it seems that, legally, the system only cares whether it’s your body in the video or not.
The film offers a compelling mix of intimate video diaries, digitally-generated re-enactments, and expert interviews. In the end what stays with you, though, is the courage of the women who take on the internet here—and the fact that they find strength in numbers fighting what seems, at first anyway, to be an untraceable assailant.
Janet Smith is founding partner and editorial director of Stir. She is a Webster Award–winning arts journalist who has spent more than three decades immersed in Vancouver’s performing arts, film, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Virtual reality exhibition features works by local and international artists, including a special presentation of Martin Messier’s 1 Drop 1000 Years
Visions Ouest and Alliance Française present the Quebec comedy-drama about a healthy senior who gathers his clan at a cottage to announce his plans for MAID
Award-winning filmmaker discusses his mission to highlight the unmatched diversity of wild cats in India
Cataloguing the campy to the harrowing, the writer behind Shot in Vancouver: Adventures in Hollywood North appears at the Vancouver Writers Fest on October 24 and 25
Continuing online from December 1 to 20, the program features a Ukraine solidarity screening of the powerful documentary Traces
New documentary uses retro animation and interviews with the likes of Martin Short, Eugene Levy, and Andrea Martin to recall the Toronto Godspell production that first connected future SNL and SCTV stars
F.W. Murnau’s 1920 German Expressionist film—an unauthorized adaptation of Dracula—was nearly lost thanks to a lawsuit launched by Bram Stoker’s widow
In collaboration with artists Adad Hannah and Jin-me Yoon, these events feature video installations made by people with lived experience of incarceration
Richard Martin’s locally made 1989 feature Matinee takes its place among dread-charged classics from around the world in this monthlong series
Sometimes, I Imagine Them All at a Party’s wrenching return to a femicide attack; Trial of Hein’s strange seaside fable; Family Fears Another Night of Terror retro-’80s TV scarefest; and more
Yolonda Skelton’s remarkable paper dresses from the film series will be displayed on the day of the screening
The DEVO member—coming to town as part of the Vancouver International Film Festival—has built a second career composing music for TV cartoons, Wes Anderson movies, and everything in between
Vancouver filmmaker’s latest feature documentary First Comes Love: Nakabingwit dives into the complexities of interracial relationships
The Kurdish-Canadian filmmaker’s feature documentary follows three families of Flight PS752 victims in their ongoing fight for justice
Curtis Woloschuk, Ruun Nuur, PoChu AuYeng, and Alan Franey dish on VIFF’s hidden hits, including a clever throwback to Dogme 95 and a documentary dubbed “one of the most important films of the year”
At the Vancouver International Film Festival, the Winnipeg writer-director forges a witty, fast-moving mashup of archival footage, ironic retro-design, and uncorked humour
At VIFF Live, the experimental rock band’s Jamie Stewart and Angela Seo imagine what sights and sounds could exist beyond the edges of the writer-director’s debut feature
Event’s 26th edition runs December 2 to 6, with X-Files creator hosting master class at Content Summit
More highlights include a collaboration with Montreal’s MUTEK festival and an intimate masterclass with Emmy and BAFTA–winning composer Cristóbal Tapia de Veer
The installation at the Western Front includes hourly screenings of Uzbekistani artist Saodat Ismailov’s films Melted into the Sun and To the Throat of the Sun
The filmmaker’s directorial debut, screening at the Vancouver Latin American Film Festival, traces her personal journey to unite with a sister she never knew existed
Mexican actor and first-time feature director reflects on the powers of film to find the universal in the local and reveal new sides of an artist’s personality
Writer-director Daniel Hendler’s feature blends elements of noir and comedy to tell the tale of a mild-mannered cop on the run from corrupt colleagues
Saving Etting Street looks at an inspiring building project in Baltimore; “Egg Yolk Custard Bun (奶黃包)” features full-bodied food performances; and What Will I Become takes a moving look behind the statistics of trans suicide
François.e helps a cynical screenwriter see the world through trans eyes; The Electric Kiss revels in 1920s-era comedy; and The Party’s Over creates a biting critique under the southern French sun
