Anthony Shim's award-winning BC film Riceboy Sleeps opens wide March 17
As the Vancouver filmmaker told Stir last fall, the affecting mother-son story explores two generations’ experiences of cultural challenges
Riceboy Sleeps.
Riceboy Sleeps opens March 17 at Fifth Avenue Cinemas
IF YOU MISSED the affecting, Lower Mainland-set Riceboy Sleeps at VIFF (where it won a best Canadian film prize) last fall, the movie by Vancouver filmmaker Anthony Shim is finally getting its wide release.
It also has some new awards to its name, including the Vancouver Critics’ Circle top BC film and director prize; the Palm Springs International Film Festival Young Cineastes Award, grand jury and audience favourite at Seattle Asian American Film Festival,
The movie tells the moving story of a Korean mother struggling to raise a son alone in Canada. Shim, who wrote and directed the beautifully shot work, shows how external hardships can strain a mother’s relationship with her child, but also reinforce their bond. In the movie, So-young has been forced to leave Korea after having a baby out of wedlock and the death of Dong-hyun’s biological father. But in Canada, she lives an isolated existence, between factory work and trying to raise a son who’s having trouble fitting in—both of them constantly confronting the subtle and not-so-subtle racism that pervades 1990s suburbia, where the film is set. South Korea’s Choi Seung-yoon employs moving restraint in her revelatory performance as the strong and stoic mother
“The main thing that I was really wanting to explore was generational trauma and undealt-with grief, showing that these two people from two different generations are dealing with the same immediate challenges as immigrants—the cultural and racial challenges,” Shim told Stir last fall, during VIFFr. “How are they able to navigate that all? Ultimately they are really dealing with the same issues.”
Though much of the film was shot here, it builds to a return to South Korea—centering on a home that, incredibly, dates back 13 generations in Shim’s family.
Riceboy Sleeps speaks affectingly to the immigrant experience, but ends up being moving no matter where you come from, as a highly relatable mother-son story.
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
This year’s series features al fresco screenings of top-tier sports films, from Shaolin Soccer to A League of Their Own
Amid small miracles, and also tragedies, Deanna Milligan and Ramsey Fendall conjured analogue, ’90s-era strangeness by adopting the spirit of a community art project
The theatre’s organ was installed in 1927—the same year Alfred Hitchcock released his first thriller, about a Jack the Ripper–esque killer
Retrospective unites the late British filmmaker’s feature-length works, including A Quiet Passion and Distant Voices, Still Lives
Short film poetically remembers a Black woman from an old photograph
With influences including Hideaki Anno and Alfred Hitchcock, debut feature by Surrey-raised director builds uncanny atmosphere as a quiet young woman points her camera into neighbours’ windows
Illustrated Legacies: Graveyard of the Pacific wins Nigel Moore Award; And the Fish Fly Above Our Heads و الأسماك تطير فوق رؤوسنا named best feature
Down-and-out buddies follow the randomness of life in evocatively shot Italian film by Francesco Sossai
At the VIFF Centre, debut feature by fast-rising filmmaker splices past and present in a powerful story that is part time-travel fiction, part nostalgic vision of ’90s Vancouver Island
The poignant film focuses on Vancouver singer-songwriter Cassidy Waring as she delves into an unresolved family tragedy
Without Fear, Early Cranes, and The Touch offer perspectives on preserving cultural identity amid hardship
Local duo’s live score to Carl Theodor Dreyer’s 1928 historical drama employed drones and dissonance to evocative effect
Koos van Nieuwkoop plays the historic Wurlitzer organ live to Alfred Hitchcock's 1927 thriller
Recipients were unveiled during a ceremony at Landmark Cinemas Guildford
Idyllic meditations, sharp investigations, and deeply personal questions arise in our quick takes on Green Valley, The Sandbox, There Are No Words, Numakage Public Pool, and Replica
The musical duo of Simon Dobbs and Jon McGovern found scoring Carl Theodor Dreyer’s 1928 film a more daunting prospect than they anticipated
Documentary by Eileen Francis and Evan Adams looks at the Tla’amin Nation’s efforts to change the contentious name of the city of Powell River
Contemplative new work by acclaimed filmmakers Jessica Johnson and Ryan Ermacora explores imperfect balance between an ancient, shifting ecosystem and a Cortes Island community of oyster farmers
In the National Film Board documentary making its local premiere at the DOXA Documentary Film Festival, Canadian director Kim Nguyen traces the repercussions of an execution photo through the decades
“Egg Yolk Custard Bun”, “Ramen Boys”, “It’s Not You”, and the feature Blood Lines contribute to a diverse and often playful program
A reed cutter tries to solve a murder in Academy Award submission for Best Foreign Language Film; plus documentaries and soccer as fest enters second installment
Director OK Pedersen narrates the cine-concert featuring violinist Eden Glasman and pianist Jakub Tokarczyk
Vancouver filmmaker Tristin Greyeyes takes a personal approach to documentary that explores her grandmother’s role in nêhiyawêwin revitalization
Creepy trip into the West Coast woods has been earning praise for its fresh spin on the horror genre
As part of Capture Photography Festival, Dana Claxton, Althea Thauberger, and Stephen Waddell screen the films that shaped them
Vancouver New Music event brings together artists and activists for a roundtable discussion and performances
Running April 30 to May 10, 25th annual event features a South Korean spotlight, Fire of Love director Sara Dosa’s Iceland-set Time and Water, and world premieres Under the Red Roof, Illustrated Legacies: Graveyard of the Pacific, and more
Among the titles nominated across 14 categories are Bikas Ranjan Mishra’s Bayaan, Josias Tschanz’s The Fire in Our Hearts, and more
Local duo Beautiful Violence performs original music for silent film about the titular 15th-century teenage warrior
In South Korean filmmaker Hong Sangsoo’s hazily-shot latest, the viewer becomes increasingly aware that parents are casually interrogating their daughter’s poet boyfriend
