Shadbolt Centre hosts a screening of Nosferatu featuring a live score by TAXA, October 17
The seminal 1922 German Expressionist film meets noise-driven punk rock
Nosferatu: A Symphony of Horror
With Halloween fast approaching, the Shadbolt Centre for the Arts is pairing a seminal horror film with live music at Nosferatu Featuring TAXA, October 17 at 7:30 pm.
Nosferatu: A Symphony of Horror, released in 1922, is a German Expressionist silent film directed by F.W. Murnau, serving as an unauthorized adaptation of Bram Stoker’s Dracula. This presentation will feature the performance of an original score by Vancouver band TAXA.
Andrew Morrison and Hieg Khatcherian (also known for his music with Deadsure and Damages) launched TAXA in 2012 to blend their love of noisy punk with driving indie rock. With Daniel Fedak on shared guitar and vocal duties along with Dan McVeigh on drums, the group is inspired by the discordant sounds of Unwound and the feedback-drenched howls of Sonic Youth.
Tickets to this event are available for purchase through the Shadbolt box office online or by phone at 604-205-3000.
Post sponsored by Shadbolt Centre for the Arts.
Related Articles
F.W. Murnau’s 1920 German Expressionist film—an unauthorized adaptation of Dracula—was nearly lost thanks to a lawsuit launched by Bram Stoker’s widow
In collaboration with artists Adad Hannah and Jin-me Yoon, these events feature video installations made by people with lived experience of incarceration
Program features a world premiere, a new arrangement, and the return of Don Macdonald’s High Flight, which pays tribute to a Canadian airman’s journey
Richard Martin’s locally made 1989 feature Matinee takes its place among dread-charged classics from around the world in this monthlong series
Four artists play iconic Canadian songs on an instrument made from pieces of national history
The composer and trumpeter moves from head to heart through the adventurous nature of the four-piece ensemble, coming to VanJazz ’26
Featuring live music, DJs, and dance lessons, the event is part of Latin Expressions 2026, hosted by the Vancouver Latin American Cultural Centre
Acclaimed double bassist Caimin Gilmore performs compositions from his debut album alongside cellist Kate Ellis and harpist Lavinia Meijer
In Coastal Jazz and Chan copresentation, the pair mark the centennial of saxophonist Coltrane’s birth by performing songs from his 1963 album with singer Johnny Hartman
Sometimes, I Imagine Them All at a Party’s wrenching return to a femicide attack; Trial of Hein’s strange seaside fable; Family Fears Another Night of Terror retro-’80s TV scarefest; and more
Yolonda Skelton’s remarkable paper dresses from the film series will be displayed on the day of the screening
The DEVO member—coming to town as part of the Vancouver International Film Festival—has built a second career composing music for TV cartoons, Wes Anderson movies, and everything in between
The multifaceted Vancouver-based musician and composer has worked with everyone from Aerosmith and Raffi to Pauline Oliveros and the Cranberries
Vancouver filmmaker’s latest feature documentary First Comes Love: Nakabingwit dives into the complexities of interracial relationships
Presented as part of the Vancouver International Film Festival’s live-performance series, the event is a collaboration between MUTEK Montreal and Vancouver’s Chapel Sound Art Foundation
The Kurdish-Canadian filmmaker’s feature documentary follows three families of Flight PS752 victims in their ongoing fight for justice
Steeped in her faith, this new work by the Vancouver Chamber Choir’s composer in residence is a timely reminder of what human beings have endured and survived
Curtis Woloschuk, Ruun Nuur, PoChu AuYeng, and Alan Franey dish on VIFF’s hidden hits, including a clever throwback to Dogme 95 and a documentary dubbed “one of the most important films of the year”
Special program features the choir’s favourite mass settings, honouring the start of Paula Kremer’s final year as artistic director
At the Vancouver International Film Festival, the Winnipeg writer-director forges a witty, fast-moving mashup of archival footage, ironic retro-design, and uncorked humour
